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Student Artist
Undecleared 2026 @nisha.acharyaa
This piece captures the fleeting, but golden moment of connection between the deer and the viewer. A reminder that beautiful things are fleeting.
2015
Oil on canvas
How do you heal after being discarded?
2021
Acrylic on Canvas
My mom took a great photo of these skulls hanging on a tree during my trip to Kenya with my family, and wanted to recreate the image in a painting.
2017
Acrylic Paint on Canvas
History is tied to humanity. There is something heartening about a city that takes pride in its past.
2018
acrylic on canvas
This piece combines a photograph taken of a mural in Palo Alto with a vintage National Geographic photograph of the same location.
Digital Collage
This is a picture a created from 40 raw pictures I took of the same fruit cup. Compiling all 40 images into one allowed me to show everything in focus
Digital Photograph
This piece looks into the intersection of queerness and religion in the age of the internet and digital upbringing.
Link to Website
2022
Interactive Digital Work
Cool portrait of girl trying to keep in her tears.
Photoshop
This work is about rupture and disruption, whether environmental, familial, or linguistic. I wanted to think visually about over-saturation.
2020
India Ink on Paper
The sky disc’s dynamic effects on viewing the sky were photographically documented over the course of a sunrise and a sunset.
Installation: printed plastic sheeting (pictorico), fishing wire
Man passing through a quickly gentrifying neighborhood in Paris. The text reads “it is dark (or literally, black) in the country of lights.”
2019
Photograph of Man in Paris
Location: Main Quad
Digital Illustration
A study on ephemeral hands, and an attempt to capture desperate grasping.
2014
Gesso on card.
This is a photo taken in the Main Quad.
I met this young girl at a rural health clinic in Indonesia, where she had just given birth.
Pencil and paper
Based on the poem Ozymandias by Percy Bysshe Shelley, this piece was intended to examine the environmental and cultural cost of the fashion industry.
Mixed Media
A commentary on the fifth stage of grief: acceptance.
This piece depicts how the new digital, photo-sharing era fetishizes Asian women against their will, especially in their traditional attire.
Linoleum Block Print on Paper
Representation of an Asian woman navigating a worldwide pandemic, situated in the centre of racial prejudice, capitalism, & social media connectivity.
Scanned magazine collage, colour pencils, and pen on Sketchbook
Sea Glass is a poem I wrote in high school about fearing going to college. I transformed it into a book with watercolor paintings and text designs.
2023
Art book