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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Phoebe Kimm '20

CS 2020 @phoebekimm

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Self-Portrait Mask

Self-portrait

Wind

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Close Modal
Internet Series #1

This piece looks into the intersection of queerness and religion in the age of the internet and digital upbringing.

Link to Website

2022

Interactive Digital Work

By Mhar Tenorio '24
Your Grandpa Kimo Weaves Lauhala

This piece depicts a fictionalized memory of my grandfather, who I only knew through his woven hats and birds passed down through my family.

2023

Oil Paint on Canvas

By Kea Kahoilua Clebsch '26
How Small Are We?

Commenting on our smallness in comparison to all we have to face – be it a pandemic, the vastness of the ocean, or history. Our smallness is humbling

2020

acrylic on cardboard

By Helena Zhang '22
Sea Slug, Giant Green Anemone, Starfish Scene

These three prints depict tide pool scenes in Moss Beach, CA. They are part of a series, “From Puddles to Pools: A Showcase of Marine Invertebrates.”

2024

Sea Slug is a woodcut and the other two are etchings.

By Will Pangburn '29
California

Shriram California photos

2019

Digital photographs

By Katie Han '23
Explosive Bloom

A sculpture paying homage to the queer community and culture. Delicate like a flower, yet distinct like an explosion. Trans bodies at the center.

2021

Wood Sculpture

By Zaki Rob '25
đàn-ông.exe

Interrogating the digital footprint created when heteropatriarchy, hypermasculinity, and social media co-exist.

Link to Website

2024

Video Art

By Han Dao '26
Real Men
No RECAmpense

I made these photos at the abandoned Oppenheimer film set in Ghost Ranch, NM. Downwinders in NM harmed by test radiation remain uncompensated by RECA.

2023

35mm Photography

By Weston Keller '27
Lake Nakuru

My mom took a great photo of these skulls hanging on a tree during my trip to Kenya with my family, and wanted to recreate the image in a painting.

2017

Acrylic Paint on Canvas

By Angela Liu '23
Nangeli

The mural shows Nangeli – an Ezhava Dalit woman, who had cut off her one breast in protest against the breast tax system in Travancore, Kerala.

2022

Mural

By Aatika Singh '28
Good Morning

The feet of my former roommate are greeted by the warm light that streams in through the blinds.

2022

Oil on canvas

By Jackie Liu '25
Bioluminescence

Mimicking the beauty of bioluminescence.

Link to Website

2022

Digital Photography

By Katie Han '23
Hey, where are you right now?

I love the idea of a personal brand, especially in 2016.

2014

Color Film

By Chase Porter '17
Yanofsky’s Legacy

Vials of yeast samples are the remaining evidence of Dr. Charles Yanofsky, a noted faculty and geneticist who passed away in 2018.

2018

Photograph

By Suzanne Ou '23
Golfing on a Grassy Ground

This is a photograph taken of me practicing golf! I particularly enjoy the lighting and the visual interplay between the golf ball and the clubface.

2018

Photograph of Athletics

By Christian Ostberg '20
SJC Logo Redesign

SJC redesign – inspired by bold ‘Mod’ textiles, rooted in the London-based 1960’s ‘Mod’ fashion and music subculture centered around modern jazz.

2016

Graphic Design and Print

By Tyler Su '20
Illuminating the Mind

De-identified photograph taken for artistic purposes with permission from anatomy professors.

2015

Photograph

By Maia Mosse '20
Two Boys Dancing

Past lovers who couldn’t be together grieve over “what was” and “what could have been”, learning each other’s rhythms tenderly for the first time.

2024

Oil on Canvas

By Bryan Defjan '24
Main Quad at Sundown

Location: Main Quad

2023

Digital Illustration

By Helen He '23
This Too Shall Pass

With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.

2023

Oil on wood panel

By Jackie Liu '25
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