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Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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Stephen Henderson

Saturday, October 26

 

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Natalie Price '16 and Cleo Chung '17 worked as 2016 Summer Interns at OddLot Entertainment. Photo by Harrison Truong.

Office of the Vice President for the Arts

SIPA – Pre-Arranged Internships

About

Students participate in a 10-week, part-time placement with one of Stanford’s arts institutions, such as: Stanford Live/Frost Amphitheater, Cantor Arts Center, the Anderson Collection, or with a faculty artist. All SIPA participants receive funding to support living costs during the 10-week internship. Summer interns are responsible for securing their own housing for the duration of the internship.

Summer 2026 Opportunities

Participant Expectations

Participants in pre-arranged internships are expected to complete the following program requirements:

  • Spring Quarter
    • Complete the self-paced orientation during Spring Quarter.
    • Develop learning goals that will be shared with your internship supervisor during the first week of your placement.
  • Summer Quarter
    • Stay in contact with SIPA program staff via email during the summer.
    • Complete weekly reflection assignments and required reports, including: the midpoint self-evaluation/social media post, final self-evaluation, and donor thank you letter.

How to Apply

Applications are only accepted through SOLO and include the following:

  1. Basic applicant info (Name, SUID#, Stanford email, major/program)
  2. Internship placement preference
    • For Summer 2026, students can apply to one pre-arranged internship.
  3. Personal statement (as a PDF)
    • What are your learning goals for participating in SIPA?
    • Why did you select this internship opportunity? What elements of the internship particularly resonate with you?
    • What skills/experiences can you offer the organization? This can include your own creative practice, campus involvement, etc.—we want to get to know you as a whole person.
  4. Resume (as a PDF)
  5. Unofficial transcript (as a PDF)
  6. Name and contact information of one (1) professional reference. Your reference provider can be a Stanford faculty, academic staff, professional staff member, or a work/internship supervisor (current or former). Your reference does not need to submit anything as part of your application. Program staff will let you know if there is a need to contact your reference.

Visit the Application Resources page for additional tips!

Stipends

All students accepted into SIPA receive a stipend to help support basic living expenses during the internship.

Summer 2026 Rates:

  • Pre-arranged (part-time): Participants receive a base stipend of $4,800, plus additional need-based aid up to $1,500.

Stipends are paid once students complete all pre-participation requirements including the orientation content in Canvas.

Student athletes should confirm the impact of any awarded stipend on their athletic eligibility by contacting the Compliance Services Office prior to accepting a SIPA internship stipend.

Disability Accomodations

If you need a disability-related accommodation and/or need to receive any internship information/application in alternate format, please contact the Diversity & Access Office at, at phone: (650) 725-0326 or email: disability.access@stanford.edu.

Didn't find what you were looking for?

Reach out with questions:

Sabrina Wilensky 2018

Sabrina Wilensky

(she/her)

Director of Program Operations and Project Management

swilensk@stanford.edu

Tale of Two Cities

I created this piece in order to show a city full of life in contrast to one that is merely an outline.

2016

Acrylic on Paper

By '22

Back Out

This work is about rupture and disruption, whether environmental, familial, or linguistic. I wanted to think visually about over-saturation.

2020

India Ink on Paper

By '22

Swimming

A contrast between the cold, grayish tones of the subject and the warmer ones of the koi fish as the two tones mesh following the flow of the fish.

2021

Oil Paint on Canvas

By '26

Can you read me?

This piece tackles the topic of invisible disabilities and the stigma that many invisibly disabled people, myself included, face.

2018

Photograph on Canvas, Embroidery

By '19

Mourning Window

This is a self portrait examining the complex nature of identity through both realistic forms and abstract shapes.

2016

Acrylic on Canvas

By '20

Consumed

This drawing shows the harsh lines of a cityscape being consumed by organic forms, suggesting that, try as we might, we cannot overpower nature.

2017

Ink on Paper

By '20

Your Grandpa Kimo Weaves Lauhala

This piece depicts a fictionalized memory of my grandfather, who I only knew through his woven hats and birds passed down through my family.

2023

Oil Paint on Canvas

By '26

Do electric sheep dream of pet birds?

Androids may dream of electric sheep, and electric sheep …

2022

doodle

By '26

Self-Portrait

This painting was an exercise to try and use simple, yet bold brushstrokes to capture the essence of the moment.

2018

Oil paint on canvas

By '02

Untitled

This piece combines a photograph taken of a mural in Palo Alto with a vintage National Geographic photograph of the same location.

2017

Digital Collage

By '20

The Spire of Notre Dame

Thousands of stippled dots layer on each other to create each gargoyle and rooftop, coming together to reveal the magnificent, historical spire.

2020

Pen and Ink

By '26

Odonata

Pair of multimaterial CNC dragonflies (brass, copper, aluminum, steel). The dragonflies explore age and rebirth through corrosion.

2024

Sculpture

By '24

19 Self-Care Tips To Try Out

In a knife fight, two versions of me grapple and wrestle for control, but both end up symmetrically and simultaneously triumphant and defeated.

2018

Oil paint on found wood

By '20

Some kid I found on a Youtube thumbnail

I drew some random kid I found on a Youtube thumbnail. I think it was an Omeleto video.

2019

Colored Pencil on Paper, Digital

By '22

Abundance

I was inspired by a picture I took of my grandfather when visiting Korea for the first time since immigrating to America in 2001.

2023

Oil on Canvas

By '27

The Ritual

My mother in her monthly kimchi-making ritual, a food that I learned to take pride in despite being initially ashamed of it.

2020

Acrylic Paint on Canvas

By '25

Harbor

These photographs were taken in Aegina, Greece. During ancient times Aegina was a rival of Athens, the great sea power of the era.

2019

Digital Photographs

By '21

BLOOD IN THE SAND: LIVES LOST IN THE FIGHT FOR SOUTH AFRICA’S RHINOS

Photojournalistic exploration of the human impact of rhino poaching in South Africa – done in Prof Sue McConnell’s overseas seminar in Summer 2016.

Link to Website

2016

Photographs

By '17

How Small Are We?

Commenting on our smallness in comparison to all we have to face – be it a pandemic, the vastness of the ocean, or history. Our smallness is humbling

2020

acrylic on cardboard

By '22

Oh, Dear

This piece captures the fleeting, but golden moment of connection between the deer and the viewer. A reminder that beautiful things are fleeting.

2015

Oil on canvas

By '18
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