Campus Stories - cantor arts center

Campus Stories

Stanford’s Cantor Arts Center reveals re-envisioned galleries

Plan to visit the Cantor Arts Center as often as possible this fall because you are likely to see new works of art each time you return. The Cantor is in the midst of a major re-envisioning project that involves the museum’s permanent collection on the second floor. The project will culminate in the opening…

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Leadership

Contemporary Perspectives on the Battle of the Little Bighorn

Stanford senior Sarah Sadlier’s interest in Professor Scott Sagan’s Sophomore College summer seminar on the Battle of Little Bighorn in 2013 was personal. Sadlier, a Minneconjou Lakota Sioux, knew she had ancestors at the Little Bighorn. When plans for the Cantor exhibition Red Horse: Drawings of the Battle of the Little Bighorn grew out of…

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Campus Stories

Warrior’s view of the Battle of the Little Bighorn on display at Stanford’s Cantor Arts Center

A rare exhibition of 12 drawings by acclaimed artist Red Horse, a Sioux warrior who fought against George Armstrong Custer and the U.S. Cavalry at the Battle of the Little Bighorn in 1876, is on display at Stanford’s Cantor Arts Center through May 9. Exhibition of 12 drawings by Red Horse, a Minneconjou Lakota Sioux…

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Leadership

Cantor Arts Center spotlights Richard Diebenkorn’s sketchbooks

For the very first time, the complete sketchbooks of the great American artist Richard Diebenkorn are available to view. The Cantor Arts Center recently launched a new website that gives access to the museum’s collection of 29 sketchbooks by Richard Diebenkorn (1922–1993), a renowned artist celebrated as both a central figure in the Bay Area…

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Two men in a photo studio taking a picture of a Chinese ceramic horse.
Leadership

Cantor Arts Center digitizes collection for online database

Stanford’s Cantor Arts Center has completed a 6-year project to make its collection accessible online. Students, faculty, scholars and the general public can now visit the museum’s website, type in a title, artist, theme or other search criteria, and see high-quality digital images of the majority of the 45,000-plus objects in the collection. Partial inventories…

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Campus Stories

Campus engagement at the Cantor Arts Center

Two large exhibitions engage faculty, students and campus partners from multiple disciplines. She Who Tells a Story: Women Photographers from Iran and the Arab World (closing May 4) This exhibition features the pioneering work of 12 leading women photographers from Iran and the Arab world. Through partnerships with the Abbasi Program in Islamic Studies, the…

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Campus Stories

Welcome Back!

On Sept. 21 the Anderson Collection at Stanford University officially opened its doors, following a week of celebratory events. Over 3,000 visitors enjoyed this amazing new campus resource during the opening weekend. And then the next day classes started – and Professor Pamela Lee’s Abstract Expressionism seminar held its first session in the Anderson Collection…

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Charles-Joseph Natoire, Neptune and Amphitrite, circa 1730s. Black chalk with brush and brown wash and white heightening on blue laid paper. 9 7/16 in. x 14 9/16 in. The Suida-Manning Collection. Blanton Museum of Art.
Campus Stories

Cantor Arts Center’s French summer

Never mind that King Francois I of France pre-dated Bastille Day by more than 200 years. The sophisticated and extravagant School of Fontainebleau style that developed under his royal command is something to celebrate and see during the month of France’s La Fête Nationale. Francois’ 16th-century prints, le quatorze juillet, on view through Sunday, are part of…

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Chocolate Heads dancers Madeline Hawes and Katrina Wisdom perform in 'Xocolatl: Food of the Gods' at Bing Concert Hall on March 8, 2013.
Campus Stories

A year of high notes for Stanford’s Chocolate Heads

The Chocolate Heads movement band had a banner year, by any measure. They collaborated with jazz great William Parker, workshopped with neuroscientists and synesthetes, staged an underground performance at Cantor Arts Center, dazzled an audience at Bing Concert Hall, partnered with the a cappella group Talisman on an original composition, and finished the year with a spring…

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Edouard Manet (France, 1832–1883), Civil War (Guerre civile), 1871. Lithograph. Committee for Art Acquisitions Fund, 1988.93.
Campus Stories

Saints and Manet at the Cantor starting June 12

Faith Embodied: Saints from the Renaissance to the Enlightenment June 12–November 17, 2013 Gallery for Early European Art The 16 prints in this exhibition explore different narrative strategies that artists employed to represent the deeds, miraculous visions, and martyrdoms of the saints. The works also demonstrate how the depiction of saints varied, from simple images…

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Campus Stories

Stanford art history graduate students will take a hands-on approach thanks to Mellon Grant

For an art lover, there is nothing quite like standing in front of a work of art. There’s the scale of the work, the texture of the paint, and the visceral emotional reaction that can only come through experience. For the museum curator, handling these objects – reading the artist’s scribbles on the back of…

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Afro-Chic (video still), 2010. DVD, 5 minutes, 30 seconds. Courtesy of the artist and Jack Shainman Gallery, New York. © Carrie Mae Weems.
Campus Stories

Cantor Arts Center Chooses Photography as an Area for Expansion

Stanford, Calif. — Connie Wolf, the John and Jill Freidenrich Director of the Cantor Arts Center, announces the launch of a comprehensive plan for the growth of the Cantor’s photography program. This will position the Cantor as a leader in the collection, exhibition and study of photographs in the Bay Area, which is recognized internationally…

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Norco Cumulus Cloud, Shell Oil Refinery, Norco, Louisiana, negative 1998, print 2012. Inkjet print. High Museum of Art, Atlanta. © 2012 Richard Misrach
Campus Stories

Richard Misrach lecture on 
Monday, May 13 at 6 pm at Annenberg Auditorium, Cummings Art Building


Artist Richard Misrach will be at Annenberg Auditorium on Monday to talk about his photography and the Cantor exhibition Revisiting the South: Richard Misrach’s Cancer Alley. Misrach, one of the most influential photographers of his generation, helped pioneer the renaissance of color photography and large-scale presentation. For 40 years he has documented modern industry’s impact…

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William T. Garrett Foundry, San Francisco
Campus Stories

Stanford’s Cantor Arts Center partners with the Google Art Project, an international online art gallery

Nothing compares to seeing a work of art in person, but there might also be nothing compared to examining a high- resolution image of a work of art that reveals details not visible to the naked eye – at least a naked eye viewing from behind a velvet rope or through protective Plexiglas. The closer-than-you-can-get-in-person…

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Making art in the studio.
Campus Stories

Stanford’s Cantor Arts Center draws kids in with new family program

There’s a new pitter-patter at the Cantor Arts Center at Stanford. Scurrying between the sculptures, popping by the portraits and musing at the masks are groups of children, taking part in a new program that has them drawing and sketching in the shadow of the masters. The Cantor has always welcomed families but the new program, on Sunday…

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Chocolate Heads dancer at Cantor Arts Center.
Campus Stories

Stanford’s Chocolate Heads dance around the theme ‘synesthesia’

The Bing Concert Hall box office ran out of tickets for the upcoming Chocolate Heads performance in just three hours. The Heads, along with their muse and mentor this year, William Parker, clearly have a following. The 842 lucky ticketholders will be among the first to see dance performed in the new hall and experience…

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