Campus Stories - Sarah Ruhl
Dead Man’s Cell Phone at Pigott Theater
Leanna Keyes: Dead Man’s Cell Phone (DMCP) ponders issues of technology and connectivity. At this particular historical juncture, it seems people are never more than a text message away, and the idea of not having a cell phone at all is inconceivable. How does Stanford’s position within Silicon Valley and start-up culture affect your approach to the play? Isaiah…
![[wpbb-if post:acf type="image" name="image" size="thumbnail" display="alt"]Set for Dead Man](https://arts.stanford.edu/wp-content/uploads/2013/05/dead-man-2-1-50x50.jpg)

















