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Cairo Mo '20
A realistic painting of a dog mouth, rendered uncomfortably close to the viewer. 8″ x 10″.
2018
Oil paint on canvas
By Cairo Mo '20
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.
2019
Photograph
February is a gray month, but these flowers bloomed anyway. Link to Artwork
2024
sublimation print on synthetic blue satin
An observational abstract of seaweed washing onto a beach, brought in by the tide. 24″ x 30″.
Contemplating place in the West, while memories of home in the South persist.
Acrylic on Canvas 40 x 30 in
Open your eyes…this is the forest reverie, a queer healing space situated between mother nature and the digital world. Sleep tight.
Link to Website
2022
Photography
The setting sun casts a firey light onto the skyline of San Francisco, with Coit Tower visible over the hills of the city.
The central focus of these prints is the vibrant potato starch granule depicted under polarized light and how its shape and colors are manipulated.
2023
Algorithmic Art made with Processing
Originally meant as a study of diffused light in a “nocturne” scene, this piece is a take on portraiture, figures, and landscape in one.
2020
Oil Paint on Canvas
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2017
Photo
As we were walking through the streets in Rome, my mom noticed the harsh shadows hitting the restaurant in front of us, creating gorgeous colors.
2016
Acrylic Paint on Canvas
Through the intimacy and vulnerability of sleep, I convey my boyfriend’s personality, embodied presence, and imprint – literally and metaphorically.
Oil on canvas
A study on ephemeral hands, and an attempt to capture desperate grasping.
2014
Gesso on card.
A watercolor painting of Stanford Campus
Acrylic Painting
An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I try to create a sense of foreboding and discomfort.
Digital Visual Art
An abstract piece with a collage element, created from splicing a collaborative image. It invokes a sense of depth and the condensation of space.
Oil paint and paper on paper
An exploration of nature’s healing power as an avenue for escapism and introspection.
Ballpoint and pencil on paper
Western media creates unrealistic expectations of perfection in avocados. In this painting, I seek to challenge and redefine avocado beauty standards.
Aluminum CNC machined monstera leaf inspired bottle opener. I promise it looks better than it sounds.
Sculpture
This is a painting for children with scars of violence and broken families. The blue hands are suffocating the girl’s strength to speak up.
acrylic on canvas