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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Nibha Akireddy '

Bh

Artwork: Bh

2020

Oil on Canvas

By Nibha Akireddy '

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← A Still from At Bay: Chapter One – How to Start a Startup
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Pepsi Cola

This is how your friend from high school looks at you–knowing you’re different now, knowing she’s different now.

2014

Color Film

By Chase Porter '17
The Art of Binaural Beats

I painted one piece for each type of binaural beat to test the hypothesis, “distinct beat = distinct effect.” Conclusion? It didn’t really pan out.

2020

Watercolor on Paper

By Marie Bland '23
The Cat and the Fish

A cat in a Japanese restaurant.

2019

3D computer graphics

By Yifei He '22
Untitled

These two small paintings feature a whimsical image that explores feminine sexuality, inspired by the flesh-like quality of oil paint.

2018

oil on cnavs

By Cathy Yang '20
Gotham (Lower East Side, New York City)

every part of this earth is a surrogate for the people that helped create iteach building reflects the community that built it

2018

Acrylic on Canvas

By Vedika Kanchan '23
Yin and Yang of the Bay

The rising sun in the bay turns typically unaesthetic man-made transmission towers into a beautiful contrast of light and dark.

2020

Photography

By Melissa Boswell '21
Monstera

Aluminum CNC machined monstera leaf inspired bottle opener. I promise it looks better than it sounds.

2024

Sculpture

By Cooper Shea '24
I Feel Like A Big Boy

Moving away from home in a new country has given me independence, and also comes with its responsibilities. This piece was an outburst of this feeling
Link to Artwork

2023

Poetry

By Shlok Sampat '24
Self-Portrait

This painting was an exercise to try and use simple, yet bold brushstrokes to capture the essence of the moment.

2018

Oil paint on canvas

By Madeleine Yip '02
The Ghosts of SKA

This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.

Link to Website

2020

Photography Series

By Victoria Chiek '22
Table for Two

This piece was inspired by the many rooftop cafes and stunning views of the Bosphorus River while I was exploring Istanbul on a summer vacation.

2017

Adobe Photoshop Illustration

By Helen He '23
Lightbulb of the Lightning Bugs

I catch lightning bugs, flitting moments often overlooked, and bring attention to them, so that they might spark a lightbulb in the minds of others.

2021

MultiMedia(Charcoal and Colored Pencil)

By Janice Li '24
Free Association Portraits

This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.

2019

Charcoal and Ink on Toned Paper

By Jamie Seney '21
Utopia No. 1

Inspired by the works of Nina Katchadourian, this piece uses materials scavenged from the Stanford campus to explore the definition of “city.”

2018

Paper Maps on Cardboard

By Elias Gálvez-Arango '
Life Like Weeds nos. 2 & 3… Archimedean Solids or The Passage from Virgin to Bride… Eternal Sunshine or The Bride Laid Upon the Altar… In Fifteen Minutes Everyone Will Be Famous

These works were primarily crafted from fashion, science, and interior design magazines ranging from the early 90s to present.

2019

Collage, ink pen

By Kyle Cromer '20
Ocean Beach Poppies

Bright orange poppies burst into the foreground framed by cool blue houses behind.

2022

Oil paint on panel

By Christina Kent '22
Focus

Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.

2019

Photograph

By Yifei He '22
Digital Youth

A love letter to passionate yet high-strung and jaded Generation Z, this series focuses on youth’s struggles to find meaning in today’s online world.

Link to Website

2021

Photography

By Bryan Defjan '24
Coronavirus, Capitalism, and Connectivity: Monochroming what was once in Colour

Representation of an Asian woman navigating a worldwide pandemic, situated in the centre of racial prejudice, capitalism, & social media connectivity.

2020

Scanned magazine collage, colour pencils, and pen on Sketchbook

By Crystal Chen '22
BLOOD IN THE SAND: LIVES LOST IN THE FIGHT FOR SOUTH AFRICA’S RHINOS

Photojournalistic exploration of the human impact of rhino poaching in South Africa – done in Prof Sue McConnell’s overseas seminar in Summer 2016.

Link to Website

2016

Photographs

By Kinjal Vasavada '17
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