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Nibha Akireddy '
2020
Oil on Canvas
By Nibha Akireddy '
Koreanthian is based on merging different architectural styles that transcends geographical, cultural, and historical differences.
2024
Pen & Ink Drawing on Bristol Paper
A commentary on the fifth stage of grief: acceptance.
2021
Acrylic on Canvas
An observational abstract of seaweed washing onto a beach, brought in by the tide. 24″ x 30″.
2018
Oil paint on canvas
This print came from a colored pencil drawing I made for a friend. I thought it’d be sweet to make a sort of postcard from it.
Four color Riso print
The Andromeda constellation re-imagined, through drawing, through burning holes in paper; how do we impose humanity upon the stars?
2016
Charcoal on paper; flame on tracing paper
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
Oil Paint on Canvas
“David” is a 3D bust loosely based on Michelangelo’s piece of the same name. Inspired by the music video of “Money for Nothing” by Dire Straits.
Blender 3D Render
A faceless woman in a room of South Vietnamese soldiers
2022
Graphite on Paper
August on my family’s ranch in Jalisco, México.
Link to Website
2017
Environmental Photographs
Silhouette of a black woman, breathing her way through.
India to America. When the kids go to school everyday, they can see our own school, and not feel so far, despite being halfway around the world.
Enamel Paint
Location: Main Quad
2023
Digital Illustration
v.c.a – an ongoing project and exploration of visual communication through abstraction
Graphic Design
I have a series of three paintings showing scenes from 3 places here in USA which caught my eye.
Watercolor
This artwork examines the place of genetically modified organisms in modern society and how we view them, blurring the line between item and organism.
2014
fine-tip pen and watercolor on paper
While at SFMOMA with Stanford’s ITALIC program, I created this self-portrait to explore the merging of technology with my image of self.
Photograph
This drawing was an attempt to capture my feelings about Stanford: an intimidating fortress of possibilities.
Markers on paper
generational echos is an interactive art piece created using Processing, delving into the deeply ingrained cultural values in Vietnamese society.
Interactive Video Installation
A collage with the background of a digital re-illustration of Hokusai’s The Great Wave Off Kanagawa to portray our poor disregard and care of Earth.
2019
Digital illustration and collage
This work is made with acrylic on campus in addition to found paper items, medical textbooks, and other materials.
Acrylic paint and multimedia on canvas