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inspired by Mondays, morning showers, and an addiction to caffeine.
2019
Digital illustration
By Elaine Park '21
This piece seeks to capture the way people burnout and lose themselves to fulfill the expectations of others.
2020
Digital Illustration
By Felicity Huang '25
These two paintings were inspired by the feelings of quarantine—isolation, restlessness, and nostalgia.
2020
gouache (two images combined digitally)
By Katie Han '23
A contrast between the cold, grayish tones of the subject and the warmer ones of the koi around her as they mesh together following the fish’s flow.
2021
Oil Paint on Canvas
By Christina Ba '26
Impressions of animal magnetism and the collective unconscious.
2017
Digital Visual Art
By Andrew Lesh '19
This drawing was an attempt to capture my feelings about Stanford: an intimidating fortress of possibilities.
2018
Markers on paper
By Alejandro Poler '19
A medium exploration of painting on windows screens.
2018
window screens, oil paint
By Vivienne Le '19
This poem is dedicated to street children in Andhra Pradesh, India, who continue to face extraordinary barriers in education, health, and security.
Link to Artwork
2019
Creative Writing (Poetry)
By Harika Kottakota '20
In a knife fight, two versions of me grapple and wrestle for control, but both end up symmetrically and simultaneously triumphant and defeated.
2018
Oil paint on found wood
By Cairo Mo '20
SJC redesign – inspired by bold ‘Mod’ textiles, rooted in the London-based 1960’s ‘Mod’ fashion and music subculture centered around modern jazz.
2016
Graphic Design and Print
By Tyler Su '20
generational echos is an interactive art piece created using Processing, delving into the deeply ingrained cultural values in Vietnamese society.
2023
Interactive Video Installation
By Han Dao '26
Not sure if this counts, but I created a Stanford logo made from many smaller photos. I can make another one, from more interesting photos.
2020
Digital Photograph
By Alex Fu '22
Forms of intimacy—emotional, physical, intellectual, spiritual—overlap in these abstract shapes. Intimacy is fluid, not rooted in rigid definitions.
2022
Wood Sculpture
By Bryan Defjan '24
Exploring the weary determination of an aged subject shouldering generational burdens. Experimented with earthier and darker tones, deconstruction, an
2022
Oil Paint on Canvas
By Apoorva Panidapu '27
This drawing is a representation of a fractal called a Julia set, which has been rendered out of plants and other organic elements.
2018
Markers on paper
By Alejandro Poler '19