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Cairo Mo '20
In a knife fight, two versions of me grapple and wrestle for control, but both end up symmetrically and simultaneously triumphant and defeated.
2018
Oil paint on found wood
By Cairo Mo '20
Vials of yeast samples are the remaining evidence of Dr. Charles Yanofsky, a noted faculty and geneticist who passed away in 2018.
Photograph
These pieces draw on the rich beauty of Italy to subvert ideas of what Italian art must be (i.e stuck in the Renaissance).
2017
Pen and Marker
The rising sun in the bay turns typically unaesthetic man-made transmission towers into a beautiful contrast of light and dark.
2020
Photography
A coloring pages for people to color and de-stress:) These pages are part of my project Coloring to Cope for the COVID-19 art grant.
2022
Digital
Thousands of stippled dots layer on each other to create each gargoyle and rooftop, coming together to reveal the magnificent, historical spire.
Pen and Ink
Series of 22 photographs reimagining tarot cards (Rider-Waite deck Major Arcana), to reflect the diversity and complexity of the contemporary world.
Digital Photographs
Inspired by a trip to explore the nature preserves in Mass Landing, CA, this art showcases two curlew birds looking for food in the shallow waters.
Watercolor and Pencil
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.
2019
This is how your friend from high school looks at you–knowing you’re different now, knowing she’s different now.
2014
Color Film
Knowledge allows the mind to bloom.
Digital Illustration
(Work in progress) Monstera in grayscale w/ orchre yellow stems
2024
Oil on Canvas
I am lucky enough to witness Lagunita being a real lake.
Photo
Vero is a UG2 custodial worker on campus who I tutor through habla. I hoped to display her as I have grown to know her: strong and compelling.
Oil Paint on Canvas
A fantastical city illustrating a water-based transportation system.
Digital painting
How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?
Acrylic on canvas
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
This piece is a portrait of a friend that overlays an island near the Philippines that has a deep personal association for her from her time there.
Girl restrains her tears for, hopefully, the last time.
Photoshop
Roses bloom from her cuts.
The mural shows Nangeli – an Ezhava Dalit woman, who had cut off her one breast in protest against the breast tax system in Travancore, Kerala.
Mural