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Leeth Singhage '26
Episode 1 of an upcoming mystery micro-film series
Link to Website
2022
Short Film
By Leeth Singhage '26
This work is made with acrylic on campus in addition to found paper items, medical textbooks, and other materials.
2018
Acrylic paint and multimedia on canvas
This piece emerged from a desire to merge figurative and abstract forms. (there are some flaws in the .jpg, if needed I can retake pictures)
2015
Acrylic on Canvas
This piece captures the fleeting, but golden moment of connection between the deer and the viewer. A reminder that beautiful things are fleeting.
Oil on canvas
This interactive poem takes the shape of a kimchi jar and symbolizes my separation and recent reunion and celebration of my Korean identity.
2023
3D Arduino installation, interactive poetry
February is a gray month, but these flowers bloomed anyway. Link to Artwork
2024
sublimation print on synthetic blue satin
Taken in Alberta, Canada. My hope is not to showcase landscapes but to acknowledge that Earth’s beauty surrounds us.
2017
Photograph
These three prints depict tide pool scenes in Moss Beach, CA. They are part of a series, “From Puddles to Pools: A Showcase of Marine Invertebrates.”
Sea Slug is a woodcut and the other two are etchings.
Taken while walking in my hometown of Washington, D.C.
2020
This piece grapples with the difficulty of forgiveness. Opposing forces compete: luminosity and shadow, serenity and grief, redemption and regression.
The cellphone becomes a monumental, invasive aspect of experiences (especially in nature), yet is so integral in shaping memories.
2019
iPhone photographs, collaged on Photoshop
This painting speaks to how beauty lies in impermanence, contrasting eternal mountains and passing mist.
ink on rice paper; poetry
This piece highlights the importance of community and hope in the midst of a pandemic, despite physical separation from others.
Open your eyes…this is the forest reverie, a queer healing space situated between mother nature and the digital world. Sleep tight.
Photography
Quotes from an anonymous survey sent out to student dorms are written on prints of photographs of ducks representing Stanford students
Digital photography prints
While at SFMOMA with Stanford’s ITALIC program, I created this self-portrait to explore the merging of technology with my image of self.
This piece shows how social media can lead to jealously through comparing yourself with what you see on the internet.
Paper, watercolor, tempera paint sticks, gouache, and Photoshop
My artwork is a sonnet in which two stars reminisce about Earth. Link to Artwork
Poem
Continuation of After Class Hours.
Digital Illustration
inspired by Mondays, morning showers, and an addiction to caffeine.
Digital illustration
“the pith” follows an adolescent’s struggle to understand their immigrant mother after their move to America.
Flash Fiction and Digital Illustration