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Leeth Singhage '26
Episode 1 of an upcoming mystery micro-film series
Link to Website
2022
Short Film
By Leeth Singhage '26
A portrait of a good dog who has traveled a very long way.
2020
Acrylic Paint on Canvas
A collage made from mind media upon reflection of a quarter of studying the classics in Stanford’s freshman SLE residential program.
2018
Mixed Media/Collage
Machines roar and metal parts clang away in the background in this artwork as an enormous robot is constructed before the eyes of a young spectator.
2019
Adobe Photoshop Illustration
A classic San Francisco house is bathed in orange light at sunset.
Oil paint on panel
This is a painting of a memory of a moment of me and my boyfriend in his hot tub, right before he told me he loved me for the first time.
Oil Paint on Canvas
This print came from a colored pencil drawing I made for a friend. I thought it’d be sweet to make a sort of postcard from it.
2024
Four color Riso print
I took this photo at the Palo Alto Caltrain station in the fall. I used black ink and a black and white filter to provide an “outside of time” look.
2016
Digital Photograph
The security blanket is a metaphor for something we cling to when we are afraid and how it is something we must learn to let it go.
Photography
As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.
2017
Photo
This 5-page word-art series explores the way emotion and memory lives in the body through experimentation with colour.
2023
Mixed media (watercolor, charcoal pencils, pencil) on sketch paper
The mural shows Nangeli – an Ezhava Dalit woman, who had cut off her one breast in protest against the breast tax system in Travancore, Kerala.
Mural
This is a photo taken in the Main Quad.
My family, despite being cramped in a bungalow room that was our home, share warmth and happiness beyond understanding.
2021
These are part of an ongoing series of portraits of people I met in passing. They can be displayed together or individually.
Oil on canvas
Inspired by the works of Nina Katchadourian, this piece uses materials scavenged from the Stanford campus to explore the definition of “city.”
Paper Maps on Cardboard
A contrast between the cold, grayish tones of the subject and the warmer ones of the koi fish as the two tones mesh following the flow of the fish.
This work is about rupture and disruption, whether environmental, familial, or linguistic. I wanted to think visually about over-saturation.
India Ink on Paper
This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.
Charcoal and Ink on Toned Paper
A depiction of the Southeast Alaskan landscape, seen from a kayak near the Inian Islands. 25.5″ x 36″
Oil paint on paper
Koreanthian is based on merging different architectural styles that transcends geographical, cultural, and historical differences.
Pen & Ink Drawing on Bristol Paper