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Cairo Mo '20
This is a theatrical self portrait. Fractured light plays off a calm, restrained figure, creating tension and a sense of impending violence. 24″ x 30″
2018
Oil paint on canvas
By Cairo Mo '20
This is a painting for children with scars of violence and broken families. The blue hands are suffocating the girl’s strength to speak up.
2016
acrylic on canvas
This is a painting of inception as an artist at the Louvre Museum recreates “The Death of Sardanapalus” by Delacroix, a little boy looking up in awe.
2021
Acrylic on Canvas
This drawing was an attempt to capture my feelings about Stanford: an intimidating fortress of possibilities.
Markers on paper
The mural shows Nangeli – an Ezhava Dalit woman, who had cut off her one breast in protest against the breast tax system in Travancore, Kerala.
2022
Mural
This piece uses classical aesthetics to explore man’s grief and natural processes, exploring the idea that humans can create, inform, and be nature.
2017
Charcoal and Pencil on Paper
This is a self portrait examining the complex nature of identity through both realistic forms and abstract shapes.
Taken at Jasper Ridge Biological Preserve during one of the field trips of MI 70Q: Photographing Nature.
2019
Photograph
SJC redesign – inspired by bold ‘Mod’ textiles, rooted in the London-based 1960’s ‘Mod’ fashion and music subculture centered around modern jazz.
Graphic Design and Print
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
Oil Paint on Canvas
This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.
Charcoal and Ink on Toned Paper
A sense of colorful peace
painting on computer
This 5-page word-art series explores the way emotion and memory lives in the body through experimentation with colour.
2023
Mixed media (watercolor, charcoal pencils, pencil) on sketch paper
Serenity from within results from letting go.
2014
Watercolor
Commenting on our smallness in comparison to all we have to face – be it a pandemic, the vastness of the ocean, or history. Our smallness is humbling
2020
acrylic on cardboard
An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I try to create a sense of foreboding and discomfort.
Digital Visual Art
“I’ve loved you since the day I met you”
These photos will never be published in a journalistic publication – familiar scenes on campus but different, the other side of palm tree paradise?
Photograph of campus scenes
I was looking for a subject I could depict using my new ink pens, and this sculpture was perfect because it included lots of shadows and some colors.
Ink Pen
Two paintings exploring emptiness and isolation, and confronting feelings of lack of control during the early stages of the pandemic.
Acrylic on canvas, some collage from a news story