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The piece is inspired geometric subdivision, tessellations and fractals, fusing representations from Chinese, Japanese, and Japanese symbolisms.
2017
Laser Cut Birchwood
By Kimberly Te '20
[how I avoid winter quarter: experiments with colors and a palette knife]
2017
Oil Paint on Canvas
By Meg McNulty '20
A self-portrait composed of identity objects: rings from my mother, the teapot on my coffee table, the graphic on my favorite t-shirt, etc.
2020
Digital Collage
By Phoebe Kimm '20
These monotype prints are based on historical photos of imperial palaces in Beijing, my hometown.
2019
monotype on paper
By Cathy Yang '20
Impressions of animal magnetism and the collective unconscious.
2017
Digital Visual Art
By Andrew Lesh '19
This piece explores gender. On the left are stereotypically feminine things, on the right masculine, and in the middle a “beautiful” mix of the two.
2019
Photograph/Scanned Image
By Jacqueline Garcia Peraza '21
A sketched self-portrait replaced into its photographic context.
2020
Graphite on Paper, Photograph
By Phoebe Kimm '20
A gray tabby cat with timeless, marble-like eyes filled with stories to tell and lessons to share sits near a bush, encapsulating the spirit of Paris.
2019
Colored Pencil
By Sarah Dong '26
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
2018
Oil Paint on Canvas
By Esther Omole '21
A collage made from mind media upon reflection of a quarter of studying the classics in Stanford’s freshman SLE residential program.
2018
Mixed Media/Collage
By Lilith Frakes '21
This self portrait addresses my invisible disability and the words around me are a mix of medical statements and emotional entries from my journal.
2018
Graphite on Paper
By Francesca Colombo '19