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Location: Law School terrace
2020
Digital Illustration
By '
Inspired by the works of Nina Katchadourian, this piece uses materials scavenged from the Stanford campus to explore the definition of “city.”
2018
Paper Maps on Cardboard
Our limbs perform so many tasks yet we rarely take a moment to recognize the inner workings that make these movements possible.
Link to Website
2019
Acrylic tube, yarn, metal hardware, wood, epoxy resin
A projection of water drapes over a foot, the painting interweaves the physical and digital sensation.
2016
Oil on canvas
A sketched self-portrait replaced into its photographic context.
Graphite on Paper, Photograph
Released some restless energy onto paper with this portrait sketch.
Graphite on Paper
As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.
2017
Photo
A wristwatch lies across a keyboard, the numbers juxtaposing the letters and a soft, glowing gleam reflecting across its surface.
Acrylic Paint on Canvas
The security blanket is a metaphor for something we cling to when we are afraid and how it is something we must learn to let it go.
Photography
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
Oil Paint on Canvas
The rising sun in the bay turns typically unaesthetic man-made transmission towers into a beautiful contrast of light and dark.
This is a picture a created from 40 raw pictures I took of the same fruit cup. Compiling all 40 images into one allowed me to show everything in focus
Digital Photograph
This painting is an interpretation of Magritte’s surrealist painting “The Mysteries of the Horizon,” replacing the men with an aging ballerina.
Acrylic paint on canvas
Growing up in Iran taught me that limitation breed creativity. I tried to embody the same lesson by using alternative printing methods in the darkroom
Black & white photography
History is tied to humanity. There is something heartening about a city that takes pride in its past.
acrylic on canvas
This self portrait addresses my invisible disability and the words around me are a mix of medical statements and emotional entries from my journal.
Taken on a Sophomore College trip to Tanzania, a Maasai junior warrior dons the traditional post-circumcision black robes and white face paint.
Photograph
I created a visual representation of the concept of ‘truth’ in a minimalistic style represented by the light and woman’s bare shoulders.
How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?
2022
Acrylic on canvas
This symbolizes unity, being made by members of the Black Community. South African word, Umbutu, translates to togetherness or “I am because we are”
2023
Acrylic on Paper
Taken while walking in my hometown of Washington, D.C.