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Rania Zuri '28
The collage reveals the anxiety behind social media despite the posing clear photo on the outside. It represents the façade we show to the world.
2022
Acrylic paints, alcohol markers, styrofoam, gel pen, transparent film on cardstock printed collage
By Rania Zuri '28
This series was taken at the Smithsonian Natural History Museum’s Butterfly Pavilion.
2019
Series of Photographs
By Laura Anderson '21
A medium exploration of painting on windows screens.
2018
window screens, oil paint
By Vivienne Le '19
This delves into the detrimental beauty standards that social media apps promote through the use of filters and algorithms (that favors symmetry).
2023
Tempera paint, cloth, alcohol markers on Canvas
By Rania Zuri '28
This painting is an interpretation of Magritte’s surrealist painting “The Mysteries of the Horizon,” replacing the men with an aging ballerina.
2018
Acrylic paint on canvas
By Nicola Buskirk '22
My IUD made me bleed for 8 months straight, gave me terrible cramps, and made me depressed. After finally getting it removed, I made art with it.
2023
Oil paint, acrylic paint, and IUD on wood panel
By Jackie Liu '25
A classic San Francisco house is bathed in orange light at sunset.
2022
Oil paint on panel
By Christina Kent '22
The feet of my former roommate are greeted by the warm light that streams in through the blinds.
2022
Oil on canvas
By Jackie Liu '25
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring IntroSem students and Continuing Studies students.
2019
Photograph
By Yifei He '22
I drew some random kid I found on a Youtube thumbnail. I think it was an Omeleto video.
2019
Colored Pencil on Paper, Digital
By Jessica Lee '22
A mixed-media interactive piece installed at Stanford’s annual “Frost Festival”. The piece embodies Stanford’s goals of inclusion and diversity.
2018
Acrylic, Spray Paint, Vinyl, Sticker on Canvas
By Nick Love '20
The sky disc’s dynamic effects on viewing the sky were photographically documented over the course of a sunrise and a sunset.
2017
Installation: printed plastic sheeting (pictorico), fishing wire
By Vivienne Le '19
I painted one piece for each type of binaural beat to test the hypothesis, “distinct beat = distinct effect.” Conclusion? It didn’t really pan out.
2020
Watercolor on Paper
By Marie Bland '23
Both works are depictions of traditional Catholic religious figures figured through an assemblage of inanimate objects.
2018
Graphite and watercolor on paper
By Ali Vaughan '19
This is a painting for children with scars of violence and broken families. The blue hands are suffocating the girl’s strength to speak up.
2016
acrylic on canvas
By Helena Zhang '22
Evoking Basquiat’s artwork, the mannequin head shows a sad, painful pin- filled victim, rejected by social media’s beauty standards.
2022
Styrofoam mannequin head, eyeshadow, T pins, sewing pins, false eyelashes, wig, paint, lipstick, yarn
By Rania Zuri '28
16 wooden chairs, each with one leg severed, tap in syncopated rhythm, puncturing through a low droning electrical hum.
2023
Found and modified wooden chairs, custom steel hardware, dc motors, wires, solder, modified cast iron weights
By Andrew Sungtaek Ingersoll '25
Isolation, fear, and uncertainty are themes that come up more in our lives, seen through nighttime photos taken in the woods.
2020
Photography
By Nicholas Robles '20
