Meg McNulty '20
Untitled
[how I avoid winter quarter: experiments with colors and a palette knife]
2017
Oil Paint on Canvas
By Meg McNulty '20
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pink pink pink pink pink moon
This is a theatrical self portrait. Fractured light plays off a calm, restrained figure, creating tension and a sense of impending violence. 24″ x 30″
2018
Oil paint on canvas
By Cairo Mo '20
Beyond the Window
The girl who depicts prosperity is looking beyond her world into one that’s suppressed by indigence, because to solve a problem you must face it.
2017
acrylic on canvas
By Helena Zhang '22
Security Blanket
The security blanket is a metaphor for something we cling to when we are afraid and how it is something we must learn to let it go.
2019
Photography
By Kelsey Wang '22
Which passes through; Life like weeds, no. 3; Standing nude; Up, Simba; Violet light and a hum, no. 2
These collages were created from material gathered from a variety of found sources—primarily Life, National Geographic, and Time magazines.
2020
Collage & ink pen
By Kyle Cromer '20
After Class Hours
Inspired by Stanford’s Romanesque architecture and towering palm trees, I wanted to capture the university’s vibrant energy and beauty.
2019
Digital Illustration
By Helen He '23
Circulate
Our limbs perform so many tasks yet we rarely take a moment to recognize the inner workings that make these movements possible.
2019
Acrylic tube, yarn, metal hardware, wood, epoxy resin
By Savannah Mohacsi '20
Study of Rodin Bust
This is a study of Auguste Rodin’s “Bust of St. John the Baptist,” in an attempt to capture the densely textured look of the original.
2018
Charcoal, white chalk on toned paper
By Noah DeWald '20
Self-Portrait
This painting was an exercise to try and use simple, yet bold brushstrokes to capture the essence of the moment.
2018
Oil paint on canvas
By Madeleine Yip '02
Untitled
These two small paintings feature a whimsical image that explores feminine sexuality, inspired by the flesh-like quality of oil paint.
2018
oil on cnavs
By Cathy Yang '20
Free Association Portraits
This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.
2019
Charcoal and Ink on Toned Paper
By Jamie Seney '21