Student Artist
Christina Kent '22
Economics 2022 @christinakentart
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Moral Support
With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.
2023
Oil on wood panel
By Jackie Liu '25
self – portrait
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
2018
Oil Paint on Canvas
By Esther Omole '21
Best Value
This is a “still life” of the fish market at my local Chinese grocery store. It is a wet, slimy, strange, intimidating, and magnificent place.
2023
Acrylic on Canvas
By Sharon Zhang '27
Tree Study I
A study of a tree for Drawing I in charcoal, exploring silhouettes and shading.
2018
Charcoal on Paper
By Noah DeWald '20
Self-portrait
While at SFMOMA with Stanford’s ITALIC program, I created this self-portrait to explore the merging of technology with my image of self.
2017
Photograph
By Julianna Yonis '21
Stanford: a-map-without-borders
A mixed-media interactive piece installed at Stanford’s annual “Frost Festival”. The piece embodies Stanford’s goals of inclusion and diversity.
2018
Acrylic, Spray Paint, Vinyl, Sticker on Canvas
By Nick Love '20
Look Behind You
Impressions of animal magnetism and the collective unconscious.
2017
Digital Visual Art
By Andrew Lesh '19
View to a Kill
This self portrait depicts the artist in self reflection. The couple gazes forward, as hidden collaged images loom behind, reminding them of the past.
2018
Acrylic and Collage on Canvas 30 x 40 in
By Gunner Dongieux '21
Spin
Abstract photography with the goal of rendering mundane objects unrecognizable.
2018
Photography
By Noah DeWald '20
Flavors of Friendship
An ode to a few of many meaningful moments shared with friends over a cafe drink – Coffee at Peet’s, Chai by Meyer Green, and Matcha over Zoom.
2024
Gouache on Paper
By Arethea Lim '24
Venice
A piece set on a quiet, sunny afternoon in Northeast Italy. Used a reference.
2018
Colored Pencil on Paper
By German Enik '22
My Boy
How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?
2022
Acrylic on canvas
By Victoria Hill '20
Moss Landing
Inspired by a trip to explore the nature preserves in Mass Landing, CA, this art showcases two curlew birds looking for food in the shallow waters.
2017
Watercolor and Pencil
By Alberto Arvayo '18
from now on
This painting speaks to how beauty lies in impermanence, contrasting eternal mountains and passing mist.
2023
ink on rice paper; poetry
By Katie Han '23
Headdress girl
I met this young girl at a rural health clinic in Indonesia, where she had just given birth.
2014
Pencil and paper
By Elizabeth Hyde '20
Not Yet
An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I try to create a sense of foreboding and discomfort.
2016
Digital Visual Art
By Andrew Lesh '19