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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Christina Kent '22

Economics 2022 @christinakentart

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View from Lower Haight

Last Light on Haight St

Urban Constellations

Ocean Beach Poppies

Last Light over Coit Tower

Tahoe Mountains and Sky

Sunset at Sutro Baths

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Sea Glass

Sea Glass is a poem I wrote in high school about fearing going to college. I transformed it into a book with watercolor paintings and text designs.

2023

Art book

By Chloe Chang '25

night

An abstract piece with a collage element, created from splicing a collaborative image. It invokes a sense of depth and the condensation of space.

2017

Oil paint and paper on paper

By Cairo Mo '20

Lightbulb of the Lightning Bugs

I catch lightning bugs, flitting moments often overlooked, and bring attention to them, so that they might spark a lightbulb in the minds of others.

2021

MultiMedia(Charcoal and Colored Pencil)

By Janice Li '24

The Ghosts of SKA

This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.

Link to Website

2020

Photography Series

By Victoria Chiek '22

Portrait of a Glass, Empty (2020); Barriers (2021)

Two paintings exploring emptiness and isolation, and confronting feelings of lack of control during the early stages of the pandemic.

2021

Acrylic on canvas, some collage from a news story

By Vrinda Suresh '21

Eyes Over

This piece emerged from a desire to merge figurative and abstract forms. (there are some flaws in the .jpg, if needed I can retake pictures)

2015

Acrylic on Canvas

By Noah DeWald '20

Nicollette (Venice, Italy)

Stillness, the relationship between Venice’s constant landscape and its moving parts, environments of order that have witnessed extravagant change

2018

acrylic on canvas

By Vedika Kanchan '23

After Office Hours

Location: Main Quad

2020

Digital Illustration

By Helen He '23

“Can’t Wait To Be Back” and for the one with hot balloons, it’s “Happiness is a Journey”

A coloring pages for people to color and de-stress:) These pages are part of my project Coloring to Cope for the COVID-19 art grant.

2022

Digital

By Helena Zhang '22

Illuminating the Mind

De-identified photograph taken for artistic purposes with permission from anatomy professors.

2015

Photograph

By Maia Mosse '20

Golfing on a Grassy Ground

This is a photograph taken of me practicing golf! I particularly enjoy the lighting and the visual interplay between the golf ball and the clubface.

2018

Photograph of Athletics

By Christian Ostberg '20

Metamorphosis

Metamorphosis explores queerness as a transformation, as more than just a sexual identity. See http://stanfordmint.com/metamorphosis/ for full article

2018

Studio photography

By Jessica Yeung '21

Beyond the Window

The girl who depicts prosperity is looking beyond her world into one that’s suppressed by indigence, because to solve a problem you must face it.

2017

acrylic on canvas

By Helena Zhang '22

Untitled Cacti

Experimentation with natural forms and light.

2018

Photograph

By Noah DeWald '20

Cat in Paris

A gray tabby cat with timeless, marble-like eyes filled with stories to tell and lessons to share sits near a bush, encapsulating the spirit of Paris.

2019

Colored Pencil

By Sarah Dong '26

Ebb

This image plays with scale, texture, and the physicality of water.

2016

Color Film

By Chase Porter '17

BAGUETTE!

Episode 1 of an upcoming mystery micro-film series

Link to Website

2022

Short Film

By Leeth Singhage '26

Sunset at Sutro Baths

A woman in dark clothing sits on the graffitied ruins of Sutro Baths, staring into the soft, ethereal waves illuminated by warm sunlight.

2022

Oil paint on canvas

By Christina Kent '22

Buried

In “Buried,” I used collage and layering to express the haunting suspicion of a seemingly ordinary event. The nostalgia oblivious bliss.

2023

Mixed Media: paper collage with ink and watercolor

By Darren Shiao '27

No RECAmpense

I made these photos at the abandoned Oppenheimer film set in Ghost Ranch, NM. Downwinders in NM harmed by test radiation remain uncompensated by RECA.

2023

35mm Photography

By Weston Keller '27
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