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A Still from At Bay: Chapter One – How to Start a Startup
At Bay is a student-created web series about the launch of a Stanford startup that goes horribly, horribly wrong.
2016
Still from a web series
By Katie Adams '17
A Hand To Hold (World)
This work is made with acrylic on campus in addition to found paper items, medical textbooks, and other materials.
2018
Acrylic paint and multimedia on canvas
By Jorie Coe '22
Let Her Eat Cake
I sought to express the conflicting emotions-guilt as well as pleasure-associating with eating cake.
2016
Ink Resist on Paper
By Brooke Ferber '20
Coronavirus, Capitalism, and Connectivity: Monochroming what was once in Colour
Representation of an Asian woman navigating a worldwide pandemic, situated in the centre of racial prejudice, capitalism, & social media connectivity.
2020
Scanned magazine collage, colour pencils, and pen on Sketchbook
By Crystal Chen '22
Wind
Released some restless energy onto paper with this portrait sketch.
2020
Graphite on Paper
By Phoebe Kimm '20
A Matter of Time
A wristwatch lies across a keyboard, the numbers juxtaposing the letters and a soft, glowing gleam reflecting across its surface.
2019
Acrylic Paint on Canvas
By Sarah Dong '26
Your Grandpa Kimo Weaves Lauhala
This piece depicts a fictionalized memory of my grandfather, who I only knew through his woven hats and birds passed down through my family.
2023
Oil Paint on Canvas
By Kea Kahoilua Clebsch '26
Nicollette (Venice, Italy)
Stillness, the relationship between Venice’s constant landscape and its moving parts, environments of order that have witnessed extravagant change
2018
acrylic on canvas
By Vedika Kanchan '23
Say Cheese!
This piece depicts how the new digital, photo-sharing era fetishizes Asian women against their will, especially in their traditional attire.
2022
Linoleum Block Print on Paper
By Hannah Cha '25
self – portrait
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
2018
Oil Paint on Canvas
By Esther Omole '21
My Boy
How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?
2022
Acrylic on canvas
By Victoria Hill '20
Vortex
An experiment with my visual synesthesia, which imparts color on 2D shapes. This piece intends to instill a sense of curious serenity.
2016
Digital Visual Art
By Andrew Lesh '19
Monstera
Aluminum CNC machined monstera leaf inspired bottle opener. I promise it looks better than it sounds.
2024
Sculpture
By Cooper Shea '24
Doorway to Stanford
India to America. When the kids go to school everyday, they can see our own school, and not feel so far, despite being halfway around the world.
2017
Enamel Paint
By Tyler Su '20