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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Hannah Cha '25

Undeclared 2025

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To my Mother’s Heart

Kimchi Jar: An Interactive Poem

Kimchi Jar: An Interactive Poem

Digital Future

Say Cheese!

At the Dinner Table

The Ritual

Hide and Seek

Crushed

Find the Light

Clout Chaser

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Close Modal

Do electric sheep dream of pet birds?

Androids may dream of electric sheep, and electric sheep …

2022

doodle

By Mingqi Shuai '26

Figures in Ochre

These small paintings were quick, gestural sketches that explore the beauty of the feminine form.

2018

Oil on canvas

By Cathy Yang '20

Which passes through; Life like weeds, no. 3; Standing nude; Up, Simba; Violet light and a hum, no. 2

These collages were created from material gathered from a variety of found sources—primarily Life, National Geographic, and Time magazines.

2020

Collage & ink pen

By Kyle Cromer '20

Ozymandias

Based on the poem Ozymandias by Percy Bysshe Shelley, this piece was intended to examine the environmental and cultural cost of the fashion industry.

2015

Mixed Media

By Noah DeWald '20

Summertime in Korea

This is the first of an ongoing watercolor series completed under shelter-in-place, based on photos that friends have sent of their favorite views.

2020

Watercolor

By Clementine Chou '20

Looking Back 2021

2021 — a year of uncertainties, breakthroughs, and hope. The nurse at a vaccination site epitomizes this spirit of perseverance and hope.

2021

Acrylic Paint on Canvas

By Sarah Dong '26

cloudy with a chance of love

cloudy with a chance of love

2020

Digital illustration

By Elaine Park '21

closeted

In “closeted”, a silhouette projected onto a bralette in a closet reimagines the queer closeted experience as a positive one.

Link to Website

2021

Projection Installation

By Jianna So '22

Princess Going Digital

Princess Going Digital considers queer girlhood on the playground of the laptop screen, a site for unapologetic self-documentation and portraiture.

2023

Gouache on Paper

By Malavika Kannan '24

Ebb

This image plays with scale, texture, and the physicality of water.

2016

Color Film

By Chase Porter '17

one foot in the water

A projection of water drapes over a foot, the painting interweaves the physical and digital sensation.

Link to Website

2016

Oil on canvas

By Vivienne Le '19

untitled (screen painting)

A medium exploration of painting on windows screens.

2018

window screens, oil paint

By Vivienne Le '19

Rancho de San Luis, JAL, MX

August on my family’s ranch in Jalisco, México.

Link to Website

2017

Environmental Photographs

By Kamilah Nicalli Arteaga '22

generational echos

generational echos is an interactive art piece created using Processing, delving into the deeply ingrained cultural values in Vietnamese society.

Link to Website

2023

Interactive Video Installation

By Han Dao '26

Hoover Tower Day and Night

It’s a shame if you did not get around time to see Hoover Tower in different lights.

2018

Photo

By Lining Sun '18

Table for Two

This piece was inspired by the many rooftop cafes and stunning views of the Bosphorus River while I was exploring Istanbul on a summer vacation.

2017

Adobe Photoshop Illustration

By Helen He '23

Girl, Boy, Beautiful

This piece explores gender. On the left are stereotypically feminine things, on the right masculine, and in the middle a “beautiful” mix of the two.

2019

Photograph/Scanned Image

By Jacqueline Garcia Peraza '21

Tale of Two Cities

I created this piece in order to show a city full of life in contrast to one that is merely an outline.

2016

Acrylic on Paper

By Amelia Talkington '22

Riven

An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I assemble impressions gathered during my time in Chavín de Huántar.

2017

Digital Visual Art

By Andrew Lesh '19

The Church and the center of Stanford

This is the place no one would want to miss.

2017

Photo

By Lining Sun '18
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