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Student Artist
Undeclared 2022 @kammmilah
A self-portrait composed of identity objects: rings from my mother, the teapot on my coffee table, the graphic on my favorite t-shirt, etc.
2020
Digital Collage
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2018
Photo
Observing simple, everyday practices in a new country and being dumbfounded by them led me to write this piece on everyday norms and practices here Link to Artwork
2022
Poetry
2017
A sense of colorful peace
painting on computer
A portrayal of the death of Chaos as depicted in the Zhuangzi, who expired after Shu and Hu bored a new hole into him each day for seven days.
2015
Digital Visual Art
Metamorphosis explores queerness as a transformation, as more than just a sexual identity. See http://stanfordmint.com/metamorphosis/ for full article
Studio photography
This piece depicts how the new digital, photo-sharing era fetishizes Asian women against their will, especially in their traditional attire.
Linoleum Block Print on Paper
The central focus of these prints is the vibrant potato starch granule depicted under polarized light and how its shape and colors are manipulated.
2023
Algorithmic Art made with Processing
This piece seeks to capture the way people burnout and lose themselves to fulfill the expectations of others.
Digital Illustration
These pictures were taken during a neurosurgery at Stanford’s Lucile Packard Children hospital.
Digital photography
A surreal portrayal of the cost of modern designer fashion culture.
Scratchboard
Stillness, the relationship between Venice’s constant landscape and its moving parts, environments of order that have witnessed extravagant change
acrylic on canvas
I have a series of three paintings showing scenes from 3 places here in USA which caught my eye.
Watercolor
Using alternative black and white photography techniques, I tried to illustrate the poems of the Persian poet and painter Sohrab Sepehri.
2016
Black and White photography
A projection of water drapes over a foot, the painting interweaves the physical and digital sensation.
Link to Website
Oil on canvas
Location: The Claw fountain, White Plaza Part of the virtual 2020 Stanford Gaieties musical scenery.
Princess Going Digital considers queer girlhood on the playground of the laptop screen, a site for unapologetic self-documentation and portraiture.
Gouache on Paper
Our hands – bridges, sinewy tendons & arteries – among the last parts dissected because of their distinctly human character.
Photography; De-identified photo taken for artistic purposes with permission from anatomy professors.
This piece looks into the intersection of queerness and religion in the age of the internet and digital upbringing.
Interactive Digital Work