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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Katie Han '23

Psychology 2023 @katiehan_, katiehanphoto

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from now on

Bioluminescence

Phone Handscapes

Stanford

California

Quarantine Paintings

Static

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Truth

I created a visual representation of the concept of ‘truth’ in a minimalistic style represented by the light and woman’s bare shoulders.

2018

Acrylic paint on canvas

By Nicola Buskirk '22
Julia Fern

This drawing is a representation of a fractal called a Julia set, which has been rendered out of plants and other organic elements.

2018

Markers on paper

By Alejandro Poler '19
Oxymoron

“Oxymoron” defies norms with the bond between a fierce girl warrior and her majestic dragon companion, embodying unity amidst contrast.
Link to Artwork

2024

Watercolors and inkpen on mixed media paper

By Lavinia Pedrollo '28
Can you read me?

This piece tackles the topic of invisible disabilities and the stigma that many invisibly disabled people, myself included, face.

2018

Photograph on Canvas, Embroidery

By Francesca Colombo Colombo '19
Desire

Self portrait at the height of COVID and my own extraordinary depression.

2020

Oil paint on canvas

By Sophia Siegel '25
Vero

Vero is a UG2 custodial worker on campus who I tutor through habla. I hoped to display her as I have grown to know her: strong and compelling.

2018

Oil Paint on Canvas

By Lorena Diosdado '21
night

An abstract piece with a collage element, created from splicing a collaborative image. It invokes a sense of depth and the condensation of space.

2017

Oil paint and paper on paper

By Cairo Mo '20
Security Blanket

The security blanket is a metaphor for something we cling to when we are afraid and how it is something we must learn to let it go.

Link to Website

2019

Photography

By Kelsey Wang '22
Untitled

[how I avoid winter quarter: experiments with colors and a palette knife]

2017

Oil Paint on Canvas

By Meg McNulty '20
Consumed

This drawing shows the harsh lines of a cityscape being consumed by organic forms, suggesting that, try as we might, we cannot overpower nature.

2017

Ink on Paper

By Annie Ng '20
Monstera

(Work in progress) Monstera in grayscale w/ orchre yellow stems

2024

Oil on Canvas

By Chang M. Yun '28
BAGUETTE!

Episode 1 of an upcoming mystery micro-film series

Link to Website

2022

Short Film

By Leeth Singhage '26
Coronavirus, Capitalism, and Connectivity: Monochroming what was once in Colour

Representation of an Asian woman navigating a worldwide pandemic, situated in the centre of racial prejudice, capitalism, & social media connectivity.

2020

Scanned magazine collage, colour pencils, and pen on Sketchbook

By Crystal Chen '22
Memorial Church

Light fluctuations through stained glass is always beautiful and ethereal at different times of day.

2025

Photograph of the Stanford Memorial Church

By Vivian Xiao '28
Afternoon in Rome

As we were walking through the streets in Rome, my mom noticed the harsh shadows hitting the restaurant in front of us, creating gorgeous colors.

2016

Acrylic Paint on Canvas

By Angela Liu '23
Visions of Separation

The emotional turmoil of Fall quarter. As students process their new reality, they long for human connection but also feel empty and purposeless.

Link to Website

2021

Photography

By Bryan Defjan '24
SlumRat

This short film was submitted as part of my arts portfolio for my Stanford application

Link to Website

2021

Short Film

By Leeth Singhage '26
Say Cheese!

This piece depicts how the new digital, photo-sharing era fetishizes Asian women against their will, especially in their traditional attire.

2022

Linoleum Block Print on Paper

By Hannah Cha '25
Train Wreck

I use this artwork to ask, “What has become of our childhood innocence?”

2019

ink on paper, collage

By Helena Zhang '22
The Quad

Quad is always changing amazingly.

2017

Photo

By Lining Sun '18
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