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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Katie Han '23

Psychology 2023 @katiehan_, katiehanphoto

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from now on

Bioluminescence

Stanford

California

Phone Handscapes

Quarantine Paintings

Static

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Graphic Life

A series of photo edits of everyday moments at Stanford.

2017

Digital Art

By Jeramiah Winston '19

prayer

“prayer”, featuring the artist’s grandmother, captures feelings of chaos and anxiety, as well as the calm performed to or provided by others.

Link to Website

2021

Projection Installation

By Jianna So '22

Lake Nakuru

My mom took a great photo of these skulls hanging on a tree during my trip to Kenya with my family, and wanted to recreate the image in a painting.

2017

Acrylic Paint on Canvas

By Angela Liu '23

Girl, Boy, Beautiful

This piece explores gender. On the left are stereotypically feminine things, on the right masculine, and in the middle a “beautiful” mix of the two.

2019

Photograph/Scanned Image

By Jacqueline Garcia Peraza '21

Last Light on Haight St

A classic San Francisco house is bathed in orange light at sunset.

2022

Oil paint on panel

By Christina Kent '22

Tree

This drawing for me is meant to capture some of the dynamic processes I have witnesses in the Cosmos.

2018

Watercolor and black ink

By Alejandro Poler '19

Heavy Metal Bouquet

These metallic flowers portray our future if we continue to condone industrial heavy metal pollution. Each flower is one of my original designs.

2024

Original origami flowers on red and silver foil paper; Arranged with silk leaves

By Weber Lin '27

Photograph of the Campus

This is a photo taken in the Main Quad.

2018

This is a photo taken in the Main Quad.

By Cuiping Cai '22

Heal

This is a surreal meditation on nature’s comforting power as a sanctuary for people in need of healing.

2022

Pencil on paper

By Bryan Defjan '24

EXPLOSIONS

This piece is a manipulated photograph printed on metal.

2019

Mixed Media on Metal

By Constantinos Gallis '24

Anatomy of the Vogue

Anatomy of the Vogue is a portraiture study of clinical anatomy that bridges human and corpse through a play on the fashion industry.

Link to Website

2016

Colored Pencil

By Meagan Wu '18

Bruises

Western media creates unrealistic expectations of perfection in avocados. In this painting, I seek to challenge and redefine avocado beauty standards.

2016

Oil on canvas

By Nan Munger '20

Mirror in my mind

An exploration of nature’s healing power as an avenue for escapism and introspection.

2022

Ballpoint and pencil on paper

By Bryan Defjan '24

Untitled

These two small paintings feature a whimsical image that explores feminine sexuality, inspired by the flesh-like quality of oil paint.

2018

oil on cnavs

By Cathy Yang '20

The Claw

Location: The Claw fountain, White Plaza
Part of the virtual 2020 Stanford Gaieties musical scenery.

2020

Digital Illustration

By Helen He '23

Andromeda

The Andromeda constellation re-imagined, through drawing, through burning holes in paper; how do we impose humanity upon the stars?

2016

Charcoal on paper; flame on tracing paper

By Zhanpei Fang '19

Untitled

A faceless woman in a room of South Vietnamese soldiers

2022

Graphite on Paper

By Lily Thai '27

The Art of Binaural Beats

I painted one piece for each type of binaural beat to test the hypothesis, “distinct beat = distinct effect.” Conclusion? It didn’t really pan out.

2020

Watercolor on Paper

By Marie Bland '23

cloudy with a chance of love

cloudy with a chance of love

2020

Digital illustration

By Elaine Park '21

Art at Stanford

As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.

2017

Photo

By Lining Sun '18
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