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Student Artist
Symbolic Systems 2026 @tracyywei
San Francisco at dusk is illuminated by pinpoints of light on the distant hills.
2022
Oil paint on panel
A coloring pages for people to color and de-stress:) These pages are part of my project Coloring to Cope for the COVID-19 art grant.
Digital
Western media creates unrealistic expectations of perfection in avocados. In this painting, I seek to challenge and redefine avocado beauty standards.
2016
Oil on canvas
The security blanket is a metaphor for something we cling to when we are afraid and how it is something we must learn to let it go.
Link to Website
2019
Photography
Taken on a Sophomore College trip to Tanzania, a Maasai junior warrior dons the traditional post-circumcision black robes and white face paint.
2017
Photograph
A study on ephemeral hands, and an attempt to capture desperate grasping.
2014
Gesso on card.
A self-portrait composed of identity objects: rings from my mother, the teapot on my coffee table, the graphic on my favorite t-shirt, etc.
2020
Digital Collage
A ghostly woman draped in a silk shawl and pearls.
Charcoal
Lush layers of volanoes, forest fires, tsunamis are interwoven with snarling dogs, invoking chaotic and powerful forces of nature. 30″ x 40″.
2018
Oil paint and thread on canvas
An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I try to create a sense of foreboding and discomfort.
Digital Visual Art
SJC redesign – inspired by bold ‘Mod’ textiles, rooted in the London-based 1960’s ‘Mod’ fashion and music subculture centered around modern jazz.
Graphic Design and Print
The Countour of White Sands NP
2023
This self portrait depicts how your initial view of the world glitches, or shatters as different experiences come with growing up.
Colored pencil
This piece was made the week before quarantine when everything was uncertain and the weight of not knowing what was to come next hung over our heads.
Boulder & Rope
Fog drapes over the breathtaking mountain tops and diffuses across the road of Icefields Parkway in Banff National Park, creating a sense of quietude.
Acrylic on Canvas
I was inspired by a picture I took of my grandfather when visiting Korea for the first time since immigrating to America in 2001.
Oil on Canvas
These collages were created from material gathered from a variety of found sources—primarily Life, National Geographic, and Time magazines.
Collage & ink pen
A watercolor painting of Stanford Campus
Acrylic Painting
These works were primarily crafted from fashion, science, and interior design magazines ranging from the early 90s to present.
Collage, ink pen
Girl restrains her tears for, hopefully, the last time.
Photoshop