Student Artist
Vivienne Le '19
Art Practice 2019 @studio_vvn
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Frank’s Blue
This work is based off a creative non-fiction short story I wrote about my childhood relationship with my father.
2017
Oil on Canvas
By Francesca Colombo '19
Cat in Paris
A gray tabby cat with timeless, marble-like eyes filled with stories to tell and lessons to share sits near a bush, encapsulating the spirit of Paris.
2019
Colored Pencil
By Sarah Dong '26
Take
I took this photograph in a forrest in Germany. I wonder what the dog is doing right now.
2016
Color Film
By Chase Porter '17
Urban Constellations
San Francisco at dusk is illuminated by pinpoints of light on the distant hills.
2022
Oil paint on panel
By Christina Kent '22
Figures in Ochre
These small paintings were quick, gestural sketches that explore the beauty of the feminine form.
2018
Oil on canvas
By Cathy Yang '20
Coronavirus, Capitalism, and Connectivity: Monochroming what was once in Colour
Representation of an Asian woman navigating a worldwide pandemic, situated in the centre of racial prejudice, capitalism, & social media connectivity.
2020
Scanned magazine collage, colour pencils, and pen on Sketchbook
By Crystal Chen '22
Clam Song, Biter
In Guam, an invasive species, the rhinoceros beetle, kills many of the island’s trees. I collage over images of trees to meditate on this loss.
2020
Digital inkjet print
By Harry Cole '20
Into the Mist
Fog drapes over the breathtaking mountain tops and diffuses across the road of Icefields Parkway in Banff National Park, creating a sense of quietude.
2019
Acrylic on Canvas
By Sarah Dong '26
Buried
In “Buried,” I used collage and layering to express the haunting suspicion of a seemingly ordinary event. The nostalgia oblivious bliss.
2023
Mixed Media: paper collage with ink and watercolor
By Darren Shiao '27
Storytime
I spent 26 days backpacking through Death Valley. When water is scarce, life harder yet more simple, what matters most becomes evident.
2020
song / soundscape
By Elias Feierabend-Peters '20
Main Quad Blues
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
2019
Digital Illustration
By Helen He '23
Yanofsky’s Legacy
Vials of yeast samples are the remaining evidence of Dr. Charles Yanofsky, a noted faculty and geneticist who passed away in 2018.
2018
Photograph
By Suzanne Ou '23
Last Light on Haight St
A classic San Francisco house is bathed in orange light at sunset.
2022
Oil paint on panel
By Christina Kent '22
The Spire of Notre Dame
Thousands of stippled dots layer on each other to create each gargoyle and rooftop, coming together to reveal the magnificent, historical spire.
2020
Pen and Ink
By Sarah Dong '26
Picturing Persian Poetry
Using alternative black and white photography techniques, I tried to illustrate the poems of the Persian poet and painter Sohrab Sepehri.
2016
Black and White photography
By Soraya Fereydooni '20
Saint of the Bahía
You have pomegranate trees in your backyard, well so do I. Your family can’t afford to live in the Bay Area, well neither can mine…You’re just like me
2024
Oil on canvas
By Aileen Rubio '26
Maasai Junior Warrior
Taken on a Sophomore College trip to Tanzania, a Maasai junior warrior dons the traditional post-circumcision black robes and white face paint.
2017
Photograph
By Donovan Tokuyama '20
Queer Intimacy
Forms of intimacy—emotional, physical, intellectual, spiritual—overlap in these abstract shapes. Intimacy is fluid, not rooted in rigid definitions.
2022
Wood Sculpture
By Bryan Defjan '24