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Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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Performance

Stephen Henderson

Saturday, October 26

 

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Stanford Arts - Momentum

 

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Natalie Price '16 and Cleo Chung '17 worked as 2016 Summer Interns at OddLot Entertainment. Photo by Harrison Truong.

Office of the Vice President for the Arts

SIPA – Eligibility & Timeline

Student Eligibility

The following criteria applies to both program tracks (pre-arranged and self-designed internships:

  • Open to current Stanford undergraduate students (freshman, sophomores, and juniors) from all academic disciplines.
    • Priority will be given to students who have not previously participated in SIPA or the Lyric McHenry Community Arts Fellowship.
    • Co-terms and graduating seniors are not eligible for either track.
  • Students are only eligible for one Stanford-funded summer experiential learning opportunity during the 2025-26 academic year (inclusive of summer).
    • If students choose to participate in either track of SIPA, they will not be eligible for another Stanford-sponsored full-time funding opportunity (e.g., another Cardinal Quarter opportunity, Global Studies Internship Program, Undergraduate Research Major Grants, Chappell Lougee, VPA Senior Grant, full-time departmental and faculty research grants, Beagle II Award, etc.).
    • Part-time opportunities (such as an Undergraduate Research Small Grant or another on-campus part-time internship) may be feasible for some SIPA pre-arranged, on campus internships. Contact program staff to discuss eligibility.

Key Dates

SIPA is only available for Summer 2026 internships. Students interested in internship stipends during the academic year may be eligible for funding through the Haas Center’s Cardinal Quarter or Community Service Work-Study programs.

Application Timeline

  • December 2025: Application opens
  • February 12, 2026 @ 11:59pm (Pacific): Deadline for Round 1 pre-arranged internships
    • late February/early March 2026: Semi-finalist interviews take place for selected candidates.
    • mid-March 2026: Pre-arranged internship finalists notified. Students will have up to 48 hours to accept/decline an offer.
  • March 16, 2026 @ 11:59pm (Pacific): Deadline for self-designed internships
    • Completed Host Organization Questionnaire forms are also due by this deadline!
    • early April: Semi-finalist interviews may take place for selected candidates.
    • mid-April: Self-designed internship finalists notified. Students will have up to 48 hours to accept/decline an offer.
  • April 13, 2026 @ 11:59pm (Pacific): Deadline for Round 2 pre-arranged internships
    • mid-April 2026: Semi-finalist interviews take place for selected candidates.
    • late April 2026: Pre-arranged internship finalists notified. Students will have up to 48 hours to accept/decline an offer.
  • May 2026: All Students complete online orientation via Canvas.
  • late May 2026: Stipends paid via Student Financial Services.
  • June/July 2026: Internships begin
  • August/September 2026: Internships end

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Sabrina Wilensky 2018

Sabrina Wilensky

(she/her)

Director of Program Operations and Project Management

swilensk@stanford.edu

Sky River

Sky River is a digital reinterpretation of Japanese graphic designer Koichi Sato’s style based on minimalist forms and gradients.

2019

Blender 3D render

By '20
Black Liberation Month Community Mural

This symbolizes unity, being made by members of the Black Community. South African word, Umbutu, translates to togetherness or “I am because we are”

2023

Acrylic on Paper

By '24
Top of Altare della Patria

I was looking for a subject I could depict using my new ink pens, and this sculpture was perfect because it included lots of shadows and some colors.

2016

Ink Pen

By '23
SlumRat

This short film was submitted as part of my arts portfolio for my Stanford application

Link to Website

2021

Short Film

By '26
The Church and the center of Stanford

This is the place no one would want to miss.

2017

Photo

By '18
Main Quad Blues

Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.

2019

Digital Illustration

By '23
Inside the church

As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.

2017

Photo

By '18
A Hand To Hold (World)

This work is made with acrylic on campus in addition to found paper items, medical textbooks, and other materials.

2018

Acrylic paint and multimedia on canvas

By '22
đàn-ông.exe

Interrogating the digital footprint created when heteropatriarchy, hypermasculinity, and social media co-exist.

Link to Website

2024

Video Art

By '26
Real Men
Stand Up

I painted a woman who is battered but is pushing herself back up with resiliency. She sends a message of hope to those facing difficulties.

2017

acrylic on wood

By '22
primavera sin cueva

This print came from a colored pencil drawing I made for a friend. I thought it’d be sweet to make a sort of postcard from it.

2024

Four color Riso print

By '25
Andhra Summers

This poem is dedicated to street children in Andhra Pradesh, India, who continue to face extraordinary barriers in education, health, and security.
Link to Artwork

2019

Creative Writing (Poetry)

By '20
pink pink pink pink pink moon

This is a theatrical self portrait. Fractured light plays off a calm, restrained figure, creating tension and a sense of impending violence. 24″ x 30″

2018

Oil paint on canvas

By '20
People I Met Last Year

These are part of an ongoing series of portraits of people I met in passing. They can be displayed together or individually.

2018

Oil on canvas

By '20
The Countour

The Countour of White Sands NP

2023

Photograph

By '22
Monstera

Aluminum CNC machined monstera leaf inspired bottle opener. I promise it looks better than it sounds.

2024

Sculpture

By '24
Odonata

Pair of multimaterial CNC dragonflies (brass, copper, aluminum, steel). The dragonflies explore age and rebirth through corrosion.

2024

Sculpture

By '24
Ocean Beach Poppies

Bright orange poppies burst into the foreground framed by cool blue houses behind.

2022

Oil paint on panel

By '22
the pith

“the pith” follows an adolescent’s struggle to understand their immigrant mother after their move to America.

Link to Website

2024

Flash Fiction and Digital Illustration

By '25
A Still from At Bay: Chapter One – How to Start a Startup

At Bay is a student-created web series about the launch of a Stanford startup that goes horribly, horribly wrong.

Link to Website

2016

Still from a web series

By '17
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