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Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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Performance

Stephen Henderson

Saturday, October 26

 

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Stanford Arts - Momentum

 

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Natalie Price '16 and Cleo Chung '17 worked as 2016 Summer Interns at OddLot Entertainment. Photo by Harrison Truong.

Office of the Vice President for the Arts

SIPA – Eligibility & Timeline

Student Eligibility

The following criteria applies to both program tracks (pre-arranged and self-designed internships:

  • Open to current Stanford undergraduate students (freshman, sophomores, and juniors) from all academic disciplines.
    • Priority will be given to students who have not previously participated in SIPA or the Lyric McHenry Community Arts Fellowship.
    • Co-terms and graduating seniors are not eligible for either track.
  • Students are only eligible for one Stanford-funded summer experiential learning opportunity during the 2026-27 academic year (inclusive of summer).
    • If students choose to participate in either track of SIPA, they will not be eligible for another Stanford-sponsored full-time funding opportunity (e.g., another Cardinal Quarter opportunity, Global Studies Internship Program, Undergraduate Research Major Grants, Chappell Lougee, VPA Senior Grant, full-time departmental and faculty research grants, Beagle II Award, etc.).
    • Part-time opportunities (such as an Undergraduate Research Small Grant or another on-campus part-time internship) may be feasible for some SIPA pre-arranged, on campus internships. Contact program staff to discuss eligibility.

Key Dates

SIPA is only available for Summer 2027 internships. Students interested in internship stipends during the academic year may be eligible for funding through the Haas Center’s Cardinal Quarter or Community Service Work-Study programs.

Info Sessions

  • January 13, 2027: How to: SIPA (info session)

Application Timeline

  • November 13, 2026: Application opens
  • February 11, 2027 @ 11:59pm (Pacific): Deadline for Round 1 pre-arranged internships
    • late February/early March 2027: Semi-finalist interviews take place for selected candidates.
    • mid-March 2027: Pre-arranged internship finalists notified. Students have up to 48 hours to accept/decline an offer.
  • March 15, 2027 @ 11:59pm (Pacific): Deadline for self-designed internships
    • Completed Host Organization Questionnaire forms are also due by this deadline!
    • early April 2027: Semi-finalist interviews may take place for selected candidates.
    • mid-April 2027: Self-designed internship finalists notified. Students have up to 48 hours to accept/decline an offer.
  • May 2027: All Students complete online orientation via Canvas.
  • late May 2027: Stipends paid via Student Financial Services.
  • June/July 2027: Internships begin
  • August/September 2027: Internships end

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Sabrina Wilensky 2018

Sabrina Wilensky

(she/her)

Director of Program Operations and Project Management

swilensk@stanford.edu

Venice

A piece set on a quiet, sunny afternoon in Northeast Italy. Used a reference.

2018

Colored Pencil on Paper

By '22
Inside the church

As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.

2017

Photo

By '18
Buried

In “Buried,” I used collage and layering to express the haunting suspicion of a seemingly ordinary event. The nostalgia oblivious bliss.

2023

Mixed Media: paper collage with ink and watercolor

By '27
Feminism!

This was a fun illustration that I polished up for International Day of the Girl this year (October 11)!

2016

Digital art

By '18
Crushed

Popular Korean and American soda brands represent my Korean-Americanness, and the crushing pressures of assimilation that warps self-perception.

2021

Acrylic Paint on Canvas

By '25
Expression

This is about alienation and emotional expression as a stone, cold figure looks blankly to a wall of artificial expressions in a room.

2021

Digital 3D Render

By '24
Keyword Poetry

A series of poems written exclusively with programming keywords. An investigation on language, audience, and dangerous English-centric thinking.

Link to Website

2017

code poems

By '19
Photography

Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.

2019

Photograph

By '22
Moonrise

This painting is an interpretation of Magritte’s surrealist painting “The Mysteries of the Horizon,” replacing the men with an aging ballerina.

2018

Acrylic paint on canvas

By '22
Princess Going Digital

Princess Going Digital considers queer girlhood on the playground of the laptop screen, a site for unapologetic self-documentation and portraiture.

2023

Gouache on Paper

By '24
(un)grounded

Series highlighting experiences with environmental change, connection to place, and emotional displacement by collaging satellite maps with portraits.

2022

Photography/digital collage

By '21
Ahina (Juhu, Mumbai – Home)

This painting is in honor of Ahina and all the women that spend years wishing for a day at school.

2017

46″ x 32”

By '23
Digital Youth

A love letter to passionate yet high-strung and jaded Generation Z, this series focuses on youth’s struggles to find meaning in today’s online world.

Link to Website

2021

Photography

By '24
Two versions of my favorite picture of the church

As a landscape photographer, I like to see things in different light.

2016

Photo with artistic editing

By '18
Reflections

This is a picture of the hub of the city getting reflected in the river water.

2021

Acrylic Paint on Canvas

By '27
Streebal: Stories of Women and Power (Pre-show photoshoot)

In a pre-show photoshoot for my roommate’s student classical Indian dance ensemble, Noopur, she “breaks character” during a pose.

2016

Photograph

By '19
VCA

v.c.a – an ongoing project and exploration of visual communication through abstraction

2016

Graphic Design

By '20
the pith

“the pith” follows an adolescent’s struggle to understand their immigrant mother after their move to America.

Link to Website

2024

Flash Fiction and Digital Illustration

By '25
“Nothing Gold Can Stay”

This is a painting I did for the Congressional Art Competition. The painting is of my mother’s horse JR on my last ride on him before he died.

2014

Acrylic on canvas 24″x 24″

By '21
To my Mother’s Heart

This 3D, interactive piece represents my relationship with my immigrant other due to the shifting pressures of assimilation.

Link to Website

2023

Interactive 3D animation installation

By '25
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