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Yifei He '22
Taken at Jasper Ridge Biological Preserve during one of the field trips of MI 70Q: Photographing Nature.
2019
Photograph
By Yifei He '22
A visual exploration of ZIP, a drug currently in development used to treat PTSD by directly erasing targeted memories.
2018
Mixed Media
A portrayal of the death of Chaos as depicted in the Zhuangzi, who expired after Shu and Hu bored a new hole into him each day for seven days.
2015
Digital Visual Art
This is a theatrical self portrait. Fractured light plays off a calm, restrained figure, creating tension and a sense of impending violence. 24″ x 30″
Oil paint on canvas
Pinned parts of a traditional Vietnamese dress cut to my measurements. Through deconstruction, functionality and familiarity are lost.
2023
Charcoal and Mixed Media on Salvaged Cotton and Organza
In “Buried,” I used collage and layering to express the haunting suspicion of a seemingly ordinary event. The nostalgia oblivious bliss.
Mixed Media: paper collage with ink and watercolor
Experimentation with natural forms and light.
These two small paintings feature a whimsical image that explores feminine sexuality, inspired by the flesh-like quality of oil paint.
oil on cnavs
Night is when the imagination comes alive.
2020
Digital Illustration
These three prints depict tide pool scenes in Moss Beach, CA. They are part of a series, “From Puddles to Pools: A Showcase of Marine Invertebrates.”
2024
Sea Slug is a woodcut and the other two are etchings.
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring IntroSem students and Continuing Studies students.
Moving away from home in a new country has given me independence, and also comes with its responsibilities. This piece was an outburst of this feeling Link to Artwork
Poetry
This painting speaks to how beauty lies in impermanence, contrasting eternal mountains and passing mist.
ink on rice paper; poetry
Hide my anger behind flowers // my anxiety behind moths // my sadness behind ▓▓▓
Photoshop
A three panel survey of a new environment.
Acrylic on Canvas (Three 5ft x 4ft panels) 60 x 144 in
This drawing was an attempt to capture my feelings about Stanford: an intimidating fortress of possibilities.
Markers on paper
BEAM Stanford-related photos
Digital photographs
Anatomy of the Vogue is a portraiture study of clinical anatomy that bridges human and corpse through a play on the fashion industry.
Link to Website
2016
Colored Pencil
This painting is in honor of Ahina and all the women that spend years wishing for a day at school.
2017
46″ x 32”
A series of poems written exclusively with programming keywords. An investigation on language, audience, and dangerous English-centric thinking.
code poems
Who are our parents before our births? I wanted to use painting to meditate on loss concretized as memory.
Oil on Canvas