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Meagan Wu '18
Anatomy of the Vogue is a portraiture study of clinical anatomy that bridges human and corpse through a play on the fashion industry.
Link to Website
2016
Colored Pencil
By Meagan Wu '18
Girl restrains her tears for, hopefully, the last time.
2018
Photoshop
The emotional turmoil of Fall quarter. As students process their new reality, they long for human connection but also feel empty and purposeless.
2021
Photography
This piece was made the week before quarantine when everything was uncertain and the weight of not knowing what was to come next hung over our heads.
2020
Boulder & Rope
This is a theatrical self portrait. Fractured light plays off a calm, restrained figure, creating tension and a sense of impending violence. 24″ x 30″
Oil paint on canvas
In “Buried,” I used collage and layering to express the haunting suspicion of a seemingly ordinary event. The nostalgia oblivious bliss.
2023
Mixed Media: paper collage with ink and watercolor
I created this piece in order to show a city full of life in contrast to one that is merely an outline.
Acrylic on Paper
Mice own your belongings at night.
Charcoal Pencil on Paper
This symbolizes unity, being made by members of the Black Community. South African word, Umbutu, translates to togetherness or “I am because we are”
Moving away from home in a new country has given me independence, and also comes with its responsibilities. This piece was an outburst of this feeling Link to Artwork
Poetry
A mixed-media interactive piece installed at Stanford’s annual “Frost Festival”. The piece embodies Stanford’s goals of inclusion and diversity.
Acrylic, Spray Paint, Vinyl, Sticker on Canvas
Interrogating the digital footprint created when heteropatriarchy, hypermasculinity, and social media co-exist.
2024
Video Art
Serenity from within results from letting go.
2014
Watercolor
Not sure if this counts, but I created a Stanford logo made from many smaller photos. I can make another one, from more interesting photos.
Digital Photograph
Girl has a moment of clarity when her head is in the clouds.
This piece seeks to capture the way people burnout and lose themselves to fulfill the expectations of others.
Digital Illustration
August on my family’s ranch in Jalisco, México.
2017
Environmental Photographs
A study on ephemeral hands, and an attempt to capture desperate grasping.
Gesso on card.
A commentary on the fifth stage of grief: acceptance.
Acrylic on Canvas
This photo was taken in the McMurty Art Building. I used black paint in photoshop to highlight the lights and computer.
This piece captures the fleeting, but golden moment of connection between the deer and the viewer. A reminder that beautiful things are fleeting.
2015
Oil on canvas