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Meagan Wu '18
Anatomy of the Vogue is a portraiture study of clinical anatomy that bridges human and corpse through a play on the fashion industry.
Link to Website
2016
Colored Pencil
By Meagan Wu '18
These metallic flowers portray our future if we continue to condone industrial heavy metal pollution. Each flower is one of my original designs.
2024
Original origami flowers on red and silver foil paper; Arranged with silk leaves
v.c.a – an ongoing project and exploration of visual communication through abstraction
Graphic Design
This 5-page word-art series explores the way emotion and memory lives in the body through experimentation with colour.
2023
Mixed media (watercolor, charcoal pencils, pencil) on sketch paper
Inspired by the strange reflection of an empty glass sitting on a table, this is a piece is about power and powerlessness—control and lack of it.
2020
Acrylic on canvas
This is a collage I made featuring my favorite colors. There are bits of paper popping off of the page!
2021
Digital Photograph of Paper Collage
Whales and dolphins were my favorite animals when I was younger. In this piece, dark shadows contrasted by blue hues highlight that childhood bond.
2018
Adobe Photoshop Illustration
Sea Glass is a poem I wrote in high school about fearing going to college. I transformed it into a book with watercolor paintings and text designs.
Art book
every part of this earth is a surrogate for the people that helped create iteach building reflects the community that built it
Acrylic on Canvas
A colorful view of buildings and the sky over Florence (Firenze).
2014
Oil Paint on Canvas
This painting is a depiction of my first month here at Stanford.
2022
Water Color on Paper
At Bay is a student-created web series about the launch of a Stanford startup that goes horribly, horribly wrong.
Still from a web series
A wristwatch lies across a keyboard, the numbers juxtaposing the letters and a soft, glowing gleam reflecting across its surface.
2019
Acrylic Paint on Canvas
This piece uses classical aesthetics to explore man’s grief and natural processes, exploring the idea that humans can create, inform, and be nature.
2017
Charcoal and Pencil on Paper
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
The central focus of these prints is the vibrant potato starch granule depicted under polarized light and how its shape and colors are manipulated.
Algorithmic Art made with Processing
Forms of intimacy—emotional, physical, intellectual, spiritual—overlap in these abstract shapes. Intimacy is fluid, not rooted in rigid definitions.
Wood Sculpture
Contemplating place in the West, while memories of home in the South persist.
Acrylic on Canvas 40 x 30 in
Roses bloom from her cuts.
Photoshop
This song is a unique take on John Coltrane’s ‘Impressions’ in terms of instrumentation, style, and genre.
Guitar recording with electronic drums and synths
This piece is of my neighbor’s beagle, Clyde. She has two dogs, and the other is named Bonnie!
Colored pencil