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Yifei He '22
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring IntroSem students and Continuing Studies students.
2019
Photograph
By Yifei He '22
History is tied to humanity. There is something heartening about a city that takes pride in its past.
2018
acrylic on canvas
Continuation of After Class Hours.
2020
Digital Illustration
While at SFMOMA with Stanford’s ITALIC program, I created this self-portrait to explore the merging of technology with my image of self.
2017
This is a painting for children with scars of violence and broken families. The blue hands are suffocating the girl’s strength to speak up.
2016
This work is about rupture and disruption, whether environmental, familial, or linguistic. I wanted to think visually about over-saturation.
India Ink on Paper
A close-up, multi-colored rendering of Eppendorf tubes illustrates that Lab Life is not as monochromatic as it appears.
Oil paint on Canvas
This is the first of an ongoing watercolor series completed under shelter-in-place, based on photos that friends have sent of their favorite views.
Watercolor
Inspired by individuality and body empowerment. Work focuses on abstraction of human form and color.
Acrylic on canvas
I sought to express the conflicting emotions-guilt as well as pleasure-associating with eating cake.
Ink Resist on Paper
This piece seeks to capture the way people burnout and lose themselves to fulfill the expectations of others.
This piece is an abstract self-portrait linking the internal self and the body to the collective human consciousness.
2022
3D animation (Blender)
This is a study of Auguste Rodin’s “Bust of St. John the Baptist,” in an attempt to capture the densely textured look of the original.
Charcoal, white chalk on toned paper
Taken at Jasper Ridge Biological Preserve during one of the field trips of MI 70Q: Photographing Nature.
Lucky to witness a green Dish.
Photo
Roses bloom from her cuts.
Photoshop
A projection of water drapes over a foot, the painting interweaves the physical and digital sensation.
Link to Website
Oil on canvas
I use this artwork to ask, “What has become of our childhood innocence?”
ink on paper, collage
These works were primarily crafted from fashion, science, and interior design magazines ranging from the early 90s to present.
Collage, ink pen
Sky River is a digital reinterpretation of Japanese graphic designer Koichi Sato’s style based on minimalist forms and gradients.
Blender 3D render
How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?