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Frank’s Blue
This work is based off a creative non-fiction short story I wrote about my childhood relationship with my father.
2017
Oil on Canvas
By Francesca Colombo '19
Flames
A study on ephemeral hands, and an attempt to capture desperate grasping.
2014
Gesso on card.
By Katherine Yang '20
Burnout
This piece seeks to capture the way people burnout and lose themselves to fulfill the expectations of others.
2020
Digital Illustration
By Felicity Huang '25
Can you read me?
This piece tackles the topic of invisible disabilities and the stigma that many invisibly disabled people, myself included, face.
2018
Photograph on Canvas, Embroidery
By Francesca Colombo Colombo '19
Truth
I created a visual representation of the concept of ‘truth’ in a minimalistic style represented by the light and woman’s bare shoulders.
2018
Acrylic paint on canvas
By Nicola Buskirk '22
Father Sometime Ago
Who are our parents before our births? I wanted to use painting to meditate on loss concretized as memory.
2019
Oil on Canvas
By Regina Kong '22
Vanishing Act II
A digital re-imagining of my piece about humanity’s changing relationship with the natural world.
2015
Mixed Media
By Noah DeWald '20
Divination Is In Our Hands Now
Series of 22 photographs reimagining tarot cards (Rider-Waite deck Major Arcana), to reflect the diversity and complexity of the contemporary world.
2018
Digital Photographs
By Kevin Chappelle '19
Headdress girl
I met this young girl at a rural health clinic in Indonesia, where she had just given birth.
2014
Pencil and paper
By Elizabeth Hyde '20
Stanford: a-map-without-borders
A mixed-media interactive piece installed at Stanford’s annual “Frost Festival”. The piece embodies Stanford’s goals of inclusion and diversity.
2018
Acrylic, Spray Paint, Vinyl, Sticker on Canvas
By Nick Love '20
Pavilion
Rendering of a modern jazz pavilion, referencing the visual skeleton chord structure of jazz compositions.
2018
Digital Rendering
By Akshay Dinakar '19
Summertime in Korea
This is the first of an ongoing watercolor series completed under shelter-in-place, based on photos that friends have sent of their favorite views.
2020
Watercolor
By Clementine Chou '20
Green Library
As a landscape photographer, I like to see things in different light. These would represent my personal interpretation of Stanford.
2017
Photo
By Lining Sun '18
Explosive Bloom
A sculpture paying homage to the queer community and culture. Delicate like a flower, yet distinct like an explosion. Trans bodies at the center.
2021
Wood Sculpture
By Zaki Rob '25
Last Light over Coit Tower
The setting sun casts a firey light onto the skyline of San Francisco, with Coit Tower visible over the hills of the city.
2022
Oil paint on canvas
By Christina Kent '22
Portrait of Queer Person
The tradition of monuments uplifts cishet white men through idealized, bodily depictions of men, but queerness transcends the restrictions of the body
2022
Acrylic paint on canvas
By Aileen Rubio '26
Anatomy of the Vogue
Anatomy of the Vogue is a portraiture study of clinical anatomy that bridges human and corpse through a play on the fashion industry.
2016
Colored Pencil
By Meagan Wu '18