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Jessica Lee '22
A ghostly woman draped in a silk shawl and pearls.
2022
Charcoal
By Jessica Lee '22
This is a painting I did for the Congressional Art Competition. The painting is of my mother’s horse JR on my last ride on him before he died.
2014
Acrylic on canvas 24″x 24″
This piece highlights the importance of community and hope in the midst of a pandemic, despite physical separation from others.
2020
Acrylic on Canvas
I drew some random kid I found on a Youtube thumbnail. I think it was an Omeleto video.
2019
Colored Pencil on Paper, Digital
Thousands of stippled dots layer on each other to create each gargoyle and rooftop, coming together to reveal the magnificent, historical spire.
Pen and Ink
Abstract photography with the goal of rendering mundane objects unrecognizable.
2018
Photography
This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.
Link to Website
Photography Series
This painting was an exercise to try and use simple, yet bold brushstrokes to capture the essence of the moment.
Oil paint on canvas
My mother in her monthly kimchi-making ritual, a food that I learned to take pride in despite being initially ashamed of it.
Acrylic Paint on Canvas
Girl restrains her tears for, hopefully, the last time.
Photoshop
This piece seeks to capture the way people burnout and lose themselves to fulfill the expectations of others.
Digital Illustration
Reflective watercolor painting after a trip to Tokyo.
2016
Watercolor
This is a picture of the hub of the city getting reflected in the river water.
2021
My mom took a great photo of these skulls hanging on a tree during my trip to Kenya with my family, and wanted to recreate the image in a painting.
2017
This is a collective of poems written while contemplating the relationship between the natural, humans, death, continuity, carnage, and hope. Link to Artwork
2023
Poetry
This interactive poem takes the shape of a kimchi jar and symbolizes my separation and recent reunion and celebration of my Korean identity.
3D Arduino installation, interactive poetry
My artwork is a sonnet in which two stars reminisce about Earth. Link to Artwork
Poem
This delves into the detrimental beauty standards that social media apps promote through the use of filters and algorithms (that favors symmetry).
Tempera paint, cloth, alcohol markers on Canvas
(No description)
Watercolor on Paper
I took this photo at the Palo Alto Caltrain station in the fall. I used black ink and a black and white filter to provide an “outside of time” look.
Digital Photograph
A projection of water drapes over a foot, the painting interweaves the physical and digital sensation.
Oil on canvas