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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Bryan Defjan '24

Undeclared 2024

View All Artwork

Post-Election Blues

Mirror in my mind

Still Life of a Support System

Two Boys Dancing

Queer Intimacy

Heal

Queer Intimacy

Forest Reverie

Digital Youth

Digital Youth

Visions of Separation

Refresh Artwork
Close Modal
Dish in layers

Lucky to witness a green Dish.

2017

Photo

By Lining Sun '18
tide

An observational abstract of seaweed washing onto a beach, brought in by the tide. 24″ x 30″.

2018

Oil paint on canvas

By Cairo Mo '20
Picturing Persian Poetry

Using alternative black and white photography techniques, I tried to illustrate the poems of the Persian poet and painter Sohrab Sepehri.

2016

Black and White photography

By Soraya Fereydooni '20
Tokyo 1

This is a picture a created from 40 raw pictures I took of the same fruit cup. Compiling all 40 images into one allowed me to show everything in focus

2018

Digital Photograph

By Connor Gilmore '21
Andromeda

The Andromeda constellation re-imagined, through drawing, through burning holes in paper; how do we impose humanity upon the stars?

2016

Charcoal on paper; flame on tracing paper

By Zhanpei Fang '19
a ritual for the sky

The sky disc’s dynamic effects on viewing the sky were photographically documented over the course of a sunrise and a sunset.

2017

Installation: printed plastic sheeting (pictorico), fishing wire

By Vivienne Le '19
Nangeli

The mural shows Nangeli – an Ezhava Dalit woman, who had cut off her one breast in protest against the breast tax system in Travancore, Kerala.

2022

Mural

By Aatika Singh '28
The Church and the center of Stanford

This is the place no one would want to miss.

2017

Photo

By Lining Sun '18
Pavilion

Rendering of a modern jazz pavilion, referencing the visual skeleton chord structure of jazz compositions.

2018

Digital Rendering

By Akshay Dinakar '19
let it out;

Cool portrait of girl trying to keep in her tears.

2018

Photoshop

By Angela He '21
Trying to Forgive

This piece grapples with the difficulty of forgiveness. Opposing forces compete: luminosity and shadow, serenity and grief, redemption and regression.

2022

Oil on canvas

By Jackie Liu '25
Untitled (Study for St. Sebastian) and Untitled (Study for Gabriel)

Both works are depictions of traditional Catholic religious figures figured through an assemblage of inanimate objects.

2018

Graphite and watercolor on paper

By Ali Vaughan '19
Looking Up

Taken while walking in my hometown of Washington, D.C.

2020

Photograph

By Laura Anderson '21
Do electric sheep dream of pet birds?

Androids may dream of electric sheep, and electric sheep …

2022

doodle

By Mingqi Shuai '26
BAGUETTE!

Episode 1 of an upcoming mystery micro-film series

Link to Website

2022

Short Film

By Leeth Singhage '26
bite back

A realistic painting of a dog mouth, rendered uncomfortably close to the viewer. 8″ x 10″.

2018

Oil paint on canvas

By Cairo Mo '20
Frank’s Blue

This work is based off a creative non-fiction short story I wrote about my childhood relationship with my father.

2017

Oil on Canvas

By Francesca Colombo '19
Untitled

These two small paintings feature a whimsical image that explores feminine sexuality, inspired by the flesh-like quality of oil paint.

2018

oil on cnavs

By Cathy Yang '20
Burnout

This piece seeks to capture the way people burnout and lose themselves to fulfill the expectations of others.

2020

Digital Illustration

By Felicity Huang '25
Still Life of a Support System

Kaley, my plush fish who represents friendship (each of my friends has one) next to a bottle of medication to celebrate starting recovery recently.

2024

Oil on Canvas

By Bryan Defjan '24
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