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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Helena Zhang '22

Undeclared 2022

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Stand Up

Beyond the Window

Childhood Silence

How Small Are We?

Train Wreck

“Can’t Wait To Be Back” and for the one with hot balloons, it’s “Happiness is a Journey”

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Close Modal

Untitled

A close-up, multi-colored rendering of Eppendorf tubes illustrates that Lab Life is not as monochromatic as it appears.

2019

Oil paint on Canvas

By Mackenzie Carlson '23

Odonata

Pair of multimaterial CNC dragonflies (brass, copper, aluminum, steel). The dragonflies explore age and rebirth through corrosion.

2024

Sculpture

By Cooper Shea '24

Summertime in Korea

This is the first of an ongoing watercolor series completed under shelter-in-place, based on photos that friends have sent of their favorite views.

2020

Watercolor

By Clementine Chou '20

Motherhood Postponed till Further Notice

Collage exploring feminist and bioethical discussions of reproductive technologies. Previously featured at the Medicine & the Muse Student Symposium.
Link to Artwork

2024

print

By Hana Dao '25

Clam Song, Biter

In Guam, an invasive species, the rhinoceros beetle, kills many of the island’s trees. I collage over images of trees to meditate on this loss.

2020

Digital inkjet print

By Harry Cole '20

Pavilion

Rendering of a modern jazz pavilion, referencing the visual skeleton chord structure of jazz compositions.

2018

Digital Rendering

By Akshay Dinakar '19

After Office Hours

Location: Main Quad

2020

Digital Illustration

By Helen He '23

Yin and Yang of the Bay

The rising sun in the bay turns typically unaesthetic man-made transmission towers into a beautiful contrast of light and dark.

2020

Photography

By Melissa Boswell '21

Girl, Boy, Beautiful

This piece explores gender. On the left are stereotypically feminine things, on the right masculine, and in the middle a “beautiful” mix of the two.

2019

Photograph/Scanned Image

By Jacqueline Garcia Peraza '21

Áo Dài in Seven Parts

Pinned parts of a traditional Vietnamese dress cut to my measurements. Through deconstruction, functionality and familiarity are lost.

2023

Charcoal and Mixed Media on Salvaged Cotton and Organza

By Lily Thai '27

self control (hot tub)

This is a painting of a memory of a moment of me and my boyfriend in his hot tub, right before he told me he loved me for the first time.

2022

Oil Paint on Canvas

By Cairo Mo '20

Gotham (Lower East Side, New York City)

every part of this earth is a surrogate for the people that helped create iteach building reflects the community that built it

2018

Acrylic on Canvas

By Vedika Kanchan '23

Wind

Released some restless energy onto paper with this portrait sketch.

2020

Graphite on Paper

By Phoebe Kimm '20

Forest Reverie

Open your eyes…this is the forest reverie, a queer healing space situated between mother nature and the digital world. Sleep tight.

Link to Website

2022

Photography

By Bryan Defjan '24

Tidal Dance ⋆.˚ ☼⋆ 。 ˙༄.°

The ocean stirs the heart, inspires the imagination and brings eternal joy to the soul. –Robert Wyland

2023

Digital Media – Made in Procreate for Apple iPad

By Lavinia Pedrollo '28

Mujer

My piece comments on the movement of youth in Mexico towards narco culture and the dire implications it has for more traditional aspects the culture.

2018

Acrylic Paint on Canvas

By Lorena Diosdado '21

So Hysterical

My IUD made me bleed for 8 months straight, gave me terrible cramps, and made me depressed. After finally getting it removed, I made art with it.

2023

Oil paint, acrylic paint, and IUD on wood panel

By Jackie Liu '25

La Belleza Italiana

These pieces draw on the rich beauty of Italy to subvert ideas of what Italian art must be (i.e stuck in the Renaissance).

2017

Pen and Marker

By Ashi Agrawal '19

Sleepyhead

Through the intimacy and vulnerability of sleep, I convey my boyfriend’s personality, embodied presence, and imprint – literally and metaphorically.

2022

Oil on canvas

By Jackie Liu '25

Looking Up

Taken while walking in my hometown of Washington, D.C.

2020

Photograph

By Laura Anderson '21
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