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The Spire of Notre Dame
Thousands of stippled dots layer on each other to create each gargoyle and rooftop, coming together to reveal the magnificent, historical spire.
2020
Pen and Ink
By Sarah Dong '26
My Many Faces
It is difficult for humans to accept their own flaws and imperfections. This is a self-portrait displaying my many different tones and personalities.
2017
Acrylic on Paper
By Amelia Talkington '22
Coronavirus, Capitalism, and Connectivity: Monochroming what was once in Colour
Representation of an Asian woman navigating a worldwide pandemic, situated in the centre of racial prejudice, capitalism, & social media connectivity.
2020
Scanned magazine collage, colour pencils, and pen on Sketchbook
By Crystal Chen '22
Untitled
[how I avoid winter quarter: experiments with colors and a palette knife]
2017
Oil Paint on Canvas
By Meg McNulty '20
Figure 57
A fun, surreal piece exploring themes related to the modern food industry.
2014
Watercolor on Paper
By Noah DeWald '20
Monstera
(Work in progress) Monstera in grayscale w/ orchre yellow stems
2024
Oil on Canvas
By Chang M. Yun '28
Beyond the Window
The girl who depicts prosperity is looking beyond her world into one that’s suppressed by indigence, because to solve a problem you must face it.
2017
acrylic on canvas
By Helena Zhang '22
Take
I took this photograph in a forrest in Germany. I wonder what the dog is doing right now.
2016
Color Film
By Chase Porter '17
Clout Chaser
A reflection of my Korean heritage in the new digital age, and how technology distorts my self-perception and my relationship with my culture.
2021
Acrylic Paint on Canvas
By Hannah Cha '25
Look Behind You
Impressions of animal magnetism and the collective unconscious.
2017
Digital Visual Art
By Andrew Lesh '19
Renowned Bodies
This work is a triptych of body parts from several acclaimed works by Renaissance artists. The famous works are reimagined in a modern style.
2018
Acrylic Paint on Canvas
By Susy Manrique '19
Il Fait Noir
Man passing through a quickly gentrifying neighborhood in Paris. The text reads “it is dark (or literally, black) in the country of lights.”
2019
Photograph of Man in Paris
By Charlie Jarvis '19
More Than A Living Goddess
Kumari, the living Goddess of Nepal, is not allowed to speak to those who worship her, yet her glowing eyes depict that she has so much to tell us.
2022
Graphite
By Nisha Acharya '26
After Class Hours
Inspired by Stanford’s Romanesque architecture and towering palm trees, I wanted to capture the university’s vibrant energy and beauty.
2019
Digital Illustration
By Helen He '23