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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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tide

An observational abstract of seaweed washing onto a beach, brought in by the tide. 24″ x 30″.

2018

Oil paint on canvas

By Cairo Mo '20
“Can’t Wait To Be Back” and for the one with hot balloons, it’s “Happiness is a Journey”

A coloring pages for people to color and de-stress:) These pages are part of my project Coloring to Cope for the COVID-19 art grant.

2022

Digital

By Helena Zhang '22
Vortex

An experiment with my visual synesthesia, which imparts color on 2D shapes. This piece intends to instill a sense of curious serenity.

2016

Digital Visual Art

By Andrew Lesh '19
Dinner, Party

(No description)

2022

Watercolor on Paper

By Lily Thai '27
closeted

In “closeted”, a silhouette projected onto a bralette in a closet reimagines the queer closeted experience as a positive one.

Link to Website

2021

Projection Installation

By Jianna So '22
Glitch, Beyond the Cracks

This self portrait depicts how your initial view of the world glitches, or shatters as different experiences come with growing up.

2020

Colored pencil

By Tracy Wei '26
Reflections

This is a picture of the hub of the city getting reflected in the river water.

2021

Acrylic Paint on Canvas

By Dayeeta Pal '27
Internal Reflections

This self-portrait draws on the iconography of the Virgin of Guadalupe that I, as a latina, have a deeply personal, non-religious, relationship with.

2018

Oil Paint on Canvas

By Lorena Diosdado '21
Digital Art

I painted a face digitally, and I like frames, angels, and rocket ships.

2020

Digital Art

By Majorca "Jorie" Bateman-Coe '20
My Boy

How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?

2022

Acrylic on canvas

By Victoria Hill '20
Forest Reverie

Open your eyes…this is the forest reverie, a queer healing space situated between mother nature and the digital world. Sleep tight.

Link to Website

2022

Photography

By Bryan Defjan '24
night

An abstract piece with a collage element, created from splicing a collaborative image. It invokes a sense of depth and the condensation of space.

2017

Oil paint and paper on paper

By Cairo Mo '20
Main Quad Blues

Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.

2019

Digital Illustration

By Helen He '23
Memory

A visual exploration of ZIP, a drug currently in development used to treat PTSD by directly erasing targeted memories.

2018

Mixed Media

By Noah DeWald '20
I Feel Like A Big Boy

Moving away from home in a new country has given me independence, and also comes with its responsibilities. This piece was an outburst of this feeling
Link to Artwork

2023

Poetry

By Shlok Sampat '24
Suspended (Acropolis, Athens)

History is tied to humanity. There is something heartening about a city that takes pride in its past.

2018

acrylic on canvas

By Vedika Kanchan '23
Quarantine Paintings

These two paintings were inspired by the feelings of quarantine—isolation, restlessness, and nostalgia.

2020

gouache (two images combined digitally)

By Katie Han '23
Headdress girl

I met this young girl at a rural health clinic in Indonesia, where she had just given birth.

2014

Pencil and paper

By Elizabeth Hyde '20
BLOOD IN THE SAND: LIVES LOST IN THE FIGHT FOR SOUTH AFRICA’S RHINOS

Photojournalistic exploration of the human impact of rhino poaching in South Africa – done in Prof Sue McConnell’s overseas seminar in Summer 2016.

Link to Website

2016

Photographs

By Kinjal Vasavada '17
Best Value

This is a “still life” of the fish market at my local Chinese grocery store. It is a wet, slimy, strange, intimidating, and magnificent place.

Link to Website

2023

Acrylic on Canvas

By Sharon Zhang '27
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