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Still Life of a Support System
Kaley, my plush fish who represents friendship (each of my friends has one) next to a bottle of medication to celebrate starting recovery recently.
2024
Oil on Canvas
By Bryan Defjan '24
Stanford: a-map-without-borders
A mixed-media interactive piece installed at Stanford’s annual “Frost Festival”. The piece embodies Stanford’s goals of inclusion and diversity.
2018
Acrylic, Spray Paint, Vinyl, Sticker on Canvas
By Nick Love '20
Metamorphosis
Metamorphosis explores queerness as a transformation, as more than just a sexual identity. See http://stanfordmint.com/metamorphosis/ for full article
2018
Studio photography
By Jessica Yeung '21
Cityscapes and Scenes
I have a series of three paintings showing scenes from 3 places here in USA which caught my eye.
2022
Watercolor
By Dayeeta Pal '27
self control (hot tub)
This is a painting of a memory of a moment of me and my boyfriend in his hot tub, right before he told me he loved me for the first time.
2022
Oil Paint on Canvas
By Cairo Mo '20
Heal
This is a surreal meditation on nature’s comforting power as a sanctuary for people in need of healing.
2022
Pencil on paper
By Bryan Defjan '24
Glitch, Beyond the Cracks
This self portrait depicts how your initial view of the world glitches, or shatters as different experiences come with growing up.
2020
Colored pencil
By Tracy Wei '26
Memorial Church
Light fluctuations through stained glass is always beautiful and ethereal at different times of day.
2025
Photograph of the Stanford Memorial Church
By Vivian Xiao '28
Riven
An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I assemble impressions gathered during my time in ChavÃn de Huántar.
2017
Digital Visual Art
By Andrew Lesh '19
Pavilion
Rendering of a modern jazz pavilion, referencing the visual skeleton chord structure of jazz compositions.
2018
Digital Rendering
By Akshay Dinakar '19
Lost Between Worlds
Taken in Alberta, Canada. My hope is not to showcase landscapes but to acknowledge that Earth’s beauty surrounds us.
2017
Photograph
By Helen Liu '20
Monstera
Aluminum CNC machined monstera leaf inspired bottle opener. I promise it looks better than it sounds.
2024
Sculpture
By Cooper Shea '24
Yin and Yang of the Bay
The rising sun in the bay turns typically unaesthetic man-made transmission towers into a beautiful contrast of light and dark.
2020
Photography
By Melissa Boswell '21
Crushed
Popular Korean and American soda brands represent my Korean-Americanness, and the crushing pressures of assimilation that warps self-perception.
2021
Acrylic Paint on Canvas
By Hannah Cha '25
Mourning Window
This is a self portrait examining the complex nature of identity through both realistic forms and abstract shapes.
2016
Acrylic on Canvas
By Noah DeWald '20