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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Photo: Meilan Steimle

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Interdisciplinary Arts

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Internal Reflections

This self-portrait draws on the iconography of the Virgin of Guadalupe that I, as a latina, have a deeply personal, non-religious, relationship with.

2018

Oil Paint on Canvas

By Lorena Diosdado '21

A Matter of Time

A wristwatch lies across a keyboard, the numbers juxtaposing the letters and a soft, glowing gleam reflecting across its surface.

2019

Acrylic Paint on Canvas

By Sarah Dong '26

My Boy

How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?

2022

Acrylic on canvas

By Victoria Hill '20

self control (hot tub)

This is a painting of a memory of a moment of me and my boyfriend in his hot tub, right before he told me he loved me for the first time.

2022

Oil Paint on Canvas

By Cairo Mo '20

A Moment at the Louvre

This is a painting of inception as an artist recreates a Delacroix masterpiece, “The Death of Sardanapalus” with a little boy looking up in awe.

2021

Acrylic Paint on Canvas

By Sarah Dong '26

Figure 57

This artwork examines the place of genetically modified organisms in modern society and how we view them, blurring the line between item and organism.

2014

fine-tip pen and watercolor on paper

By Noah DeWald '20

Tokyo 1

This is a picture a created from 40 raw pictures I took of the same fruit cup. Compiling all 40 images into one allowed me to show everything in focus

2018

Digital Photograph

By Connor Gilmore '21

Kimchi Jar: An Interactive Poem

This interactive poem takes the shape of a kimchi jar and symbolizes my separation and recent reunion and celebration of my Korean identity.

Link to Website

2023

3D Arduino installation, interactive poetry

By Hannah Cha '25

Childhood Silence

This is a painting for children with scars of violence and broken families. The blue hands are suffocating the girl’s strength to speak up.

2016

acrylic on canvas

By Helena Zhang '22

(un)grounded

Series highlighting experiences with environmental change, connection to place, and emotional displacement by collaging satellite maps with portraits.

2022

Photography/digital collage

By Vrinda Suresh '21

Queer Intimacy

These sculptures are abstract representations of my reflections on intimacy as being fluid, not rooted in rigid definitions.

2022

Wood sculpture

By Bryan Defjan '24

SJC Logo Redesign

SJC redesign – inspired by bold ‘Mod’ textiles, rooted in the London-based 1960’s ‘Mod’ fashion and music subculture centered around modern jazz.

2016

Graphic Design and Print

By Tyler Su '20

19 Self-Care Tips To Try Out

In a knife fight, two versions of me grapple and wrestle for control, but both end up symmetrically and simultaneously triumphant and defeated.

2018

Oil paint on found wood

By Cairo Mo '20

Lost Between Worlds

Taken in Alberta, Canada. My hope is not to showcase landscapes but to acknowledge that Earth’s beauty surrounds us.

2017

Photograph

By Helen Liu '20

Symbiosis

The piece is inspired geometric subdivision, tessellations and fractals, fusing representations from Chinese, Japanese, and Japanese symbolisms.

2017

Laser Cut Birchwood

By Kimberly Te '20

Sleepyhead

Through the intimacy and vulnerability of sleep, I convey my boyfriend’s personality, embodied presence, and imprint – literally and metaphorically.

2022

Oil on canvas

By Jackie Liu '25

Misfit Photography

Often, I find myself missing the changing of seasons. But if I just look closely, signs of autumn are all around.

2019

Nature Photography

By Renata Starbird '21

Ode to Stanford

A colorful map collage built by the greater Stanford community, accompanied by 2 mixed media pieces that honor and appreciate the Stanford experience.

Link to Website

2020

Mixed media: acrylic and oil paint on canvas, vinyl, press-on stickers, photographs, repurposed paper, wood veneer, laser cut mirror, coins, paper money, playing cards

By Nick Love '20

Mount Daly

Mount Daly in Snowmass, Colorado

2022

Gouache paint on watercolor paper

By Leela Mahajan '25

Urban Constellations

San Francisco at dusk is illuminated by pinpoints of light on the distant hills.

2022

Oil paint on panel

By Christina Kent '22
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