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Laura Anderson '21
Taken while walking in my hometown of Washington, D.C.
2020
Photograph
By Laura Anderson '21
The tradition of monuments uplifts cishet white men through idealized, bodily depictions of men, but queerness transcends the restrictions of the body
2022
Acrylic paint on canvas
A portrait of a good dog.
Acrylic Paint on Canvas
As a landscape photographer, I like to see things in different light. These would represent my personal interpretation of Stanford.
2017
Photo
Lush layers of volanoes, forest fires, tsunamis are interwoven with snarling dogs, invoking chaotic and powerful forces of nature. 30″ x 40″.
2018
Oil paint and thread on canvas
(No description)
Watercolor on Paper
A cat in a Japanese restaurant.
2019
3D computer graphics
This self portrait addresses my invisible disability and the words around me are a mix of medical statements and emotional entries from my journal.
Graphite on Paper
This short film was submitted as part of my arts portfolio for my Stanford application
Link to Website
2021
Short Film
This was a fun illustration that I polished up for International Day of the Girl this year (October 11)!
2016
Digital art
Inspired by the strange reflection of an empty glass sitting on a table, this is a piece is about power and powerlessness—control and lack of it.
Acrylic on canvas
In a knife fight, two versions of me grapple and wrestle for control, but both end up symmetrically and simultaneously triumphant and defeated.
Oil paint on found wood
An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I assemble impressions gathered during my time in ChavÃn de Huántar.
Digital Visual Art
This symbolizes unity, being made by members of the Black Community. South African word, Umbutu, translates to togetherness or “I am because we are”
2023
Acrylic on Paper
Experimentation with natural forms and light.
This is the first of an ongoing watercolor series completed under shelter-in-place, based on photos that friends have sent of their favorite views.
Watercolor
I wanted to depict the endless possibilities of this world; the one we are so used to taking for granted.
These two small paintings feature a whimsical image that explores feminine sexuality, inspired by the flesh-like quality of oil paint.
oil on cnavs
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
Isolation, fear, and uncertainty are themes that come up more in our lives, seen through nighttime photos taken in the woods.
Photography
I took this photograph in a forrest in Germany. I wonder what the dog is doing right now.
Color Film