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Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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Performance

Stephen Henderson

Saturday, October 26

 

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Stanford Arts - Momentum

 

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Natalie Price '16 and Cleo Chung '17 worked as 2016 Summer Interns at OddLot Entertainment. Photo by Harrison Truong.

Office of the Vice President for the Arts

SIPA – Pre-Arranged Internships

About

Students participate in a 10-week, part-time placement with one of Stanford’s arts institutions, such as: Stanford Live/Frost AmphitheaterCantor Arts Center, the Anderson Collection, or with a faculty artist. All SIPA participants receive funding to support living costs during the 10-week internship. Summer interns are responsible for securing their own housing for the duration of the internship.

Summer 2026 Opportunities

Applications closed for Summer 2026.

Participant Expectations

Participants in pre-arranged internships are expected to complete the following program requirements:

  • Spring Quarter
    • Complete the self-paced orientation during Spring Quarter.
    • Develop learning goals that will be shared with your internship supervisor during the first week of your placement.
  • Summer Quarter
    • Stay in contact with SIPA program staff via email during the summer.
    • Complete weekly reflection assignments and required reports, including: the midpoint self-evaluation/social media post, final self-evaluation, and donor thank you letter.

How to Apply

Applications are only accepted through SOLO and include the following:

  1. Basic applicant info (Name, SUID#, Stanford email, major/program)
  2. Internship placement preference
    • For Summer 2026, students can apply to one pre-arranged internship.
  3. Personal statement (as a PDF)
    • What are your learning goals for participating in SIPA?
    • Why did you select this internship opportunity? What elements of the internship particularly resonate with you?
    • What skills/experiences can you offer the organization? This can include your own creative practice, campus involvement, etc.—we want to get to know you as a whole person.
  4. Resume (as a PDF)
  5. Unofficial transcript (as a PDF)
  6. Name and contact information of one (1) professional reference. Your reference provider can be a Stanford faculty, academic staff, professional staff member, or a work/internship supervisor (current or former). Your reference does not need to submit anything as part of your application. Program staff will let you know if there is a need to contact your reference.

Visit the Application Resources page for additional tips!

Stipends

All students accepted into SIPA receive a stipend to help support basic living expenses during the internship.

Summer 2026 Rates:

  • Pre-arranged (part-time): Participants receive a base stipend of $4,800, plus additional need-based aid up to $1,500.

Stipends are paid once students complete all pre-participation requirements including the orientation content in Canvas.

Student athletes should confirm the impact of any awarded stipend on their athletic eligibility by contacting the Compliance Services Office prior to accepting a SIPA internship stipend.

Disability Accomodations

If you need a disability-related accommodation and/or need to receive any internship information/application in alternate format, please contact the Diversity & Access Office at, at phone: (650) 725-0326 or email: [email protected].

Didn't find what you were looking for?

Reach out with questions:

Sabrina Wilensky 2018

Sabrina Wilensky

(she/her)

Director of Program Operations and Project Management

[email protected]

Monstera

Aluminum CNC machined monstera leaf inspired bottle opener. I promise it looks better than it sounds.

2024

Sculpture

By '24
Flames

A study on ephemeral hands, and an attempt to capture desperate grasping.

2014

Gesso on card.

By '20
Motherhood Postponed till Further Notice

Collage exploring feminist and bioethical discussions of reproductive technologies. Previously featured at the Medicine & the Muse Student Symposium.
Link to Artwork

2024

print

By '25
What We Build

Machines roar and metal parts clang away in the background in this artwork as an enormous robot is constructed before the eyes of a young spectator.

2019

Adobe Photoshop Illustration

By '23
Untitled Cacti

Experimentation with natural forms and light.

2018

Photograph

By '20
Eyes Over

This piece emerged from a desire to merge figurative and abstract forms. (there are some flaws in the .jpg, if needed I can retake pictures)

2015

Acrylic on Canvas

By '20
closeted

In “closeted”, a silhouette projected onto a bralette in a closet reimagines the queer closeted experience as a positive one.

Link to Website

2021

Projection Installation

By '22
Spin

Abstract photography with the goal of rendering mundane objects unrecognizable.

2018

Photography

By '20
Say Cheese!

This piece depicts how the new digital, photo-sharing era fetishizes Asian women against their will, especially in their traditional attire.

2022

Linoleum Block Print on Paper

By '25
Submersion

Submersion is a painting that experiments with figure in distortion, and blends the organic elements of nature with human form.

Link to Website

2015

Acrylic Paint on Canvas

By '18
Sleepyhead

Through the intimacy and vulnerability of sleep, I convey my boyfriend’s personality, embodied presence, and imprint – literally and metaphorically.

2022

Oil on canvas

By '25
Yanofsky’s Legacy

Vials of yeast samples are the remaining evidence of Dr. Charles Yanofsky, a noted faculty and geneticist who passed away in 2018.

2018

Photograph

By '23
Take

I took this photograph in a forrest in Germany. I wonder what the dog is doing right now.

Link to Website

2016

Color Film

By '17
View from Lower Haight

Colorful shapes of San Francisco buildings are highlighted by a bright sunny day.

2022

Oil paint on canvas

By '22
The claw (updated)

As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.

2017

Photo

By '18
Ozymandias

Based on the poem Ozymandias by Percy Bysshe Shelley, this piece was intended to examine the environmental and cultural cost of the fashion industry.

2015

Mixed Media

By '20
Hand over hand

Our hands – bridges, sinewy tendons & arteries – among the last parts dissected because of their distinctly human character.

2015

Photography; De-identified photo taken for artistic purposes with permission from anatomy professors.

By '20
The Claw

Location: The Claw fountain, White Plaza
Part of the virtual 2020 Stanford Gaieties musical scenery.

2020

Digital Illustration

By '23
Anatomy of the Vogue

Anatomy of the Vogue is a portraiture study of clinical anatomy that bridges human and corpse through a play on the fashion industry.

Link to Website

2016

Colored Pencil

By '18
California

Shriram California photos

2019

Digital photographs

By '23
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