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Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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Performance

Stephen Henderson

Saturday, October 26

 

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Stanford Arts - Momentum

 

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Natalie Price '16 and Cleo Chung '17 worked as 2016 Summer Interns at OddLot Entertainment. Photo by Harrison Truong.

Office of the Vice President for the Arts

SIPA – Pre-Arranged Internships

About

Students participate in a 10-week, part-time placement with one of Stanford’s arts institutions, such as: Stanford Live/Frost AmphitheaterCantor Arts Center, the Anderson Collection, or with a faculty artist. All SIPA participants receive funding to support living costs during the 10-week internship. Summer interns are responsible for securing their own housing for the duration of the internship.

Summer 2026 Opportunities

Applications closed for Summer 2026.

Participant Expectations

Participants in pre-arranged internships are expected to complete the following program requirements:

  • Spring Quarter
    • Complete the self-paced orientation during Spring Quarter.
    • Develop learning goals that will be shared with your internship supervisor during the first week of your placement.
  • Summer Quarter
    • Stay in contact with SIPA program staff via email during the summer.
    • Complete weekly reflection assignments and required reports, including: the midpoint self-evaluation/social media post, final self-evaluation, and donor thank you letter.

How to Apply

Applications are only accepted through SOLO and include the following:

  1. Basic applicant info (Name, SUID#, Stanford email, major/program)
  2. Internship placement preference
    • For Summer 2026, students can apply to one pre-arranged internship.
  3. Personal statement (as a PDF)
    • What are your learning goals for participating in SIPA?
    • Why did you select this internship opportunity? What elements of the internship particularly resonate with you?
    • What skills/experiences can you offer the organization? This can include your own creative practice, campus involvement, etc.—we want to get to know you as a whole person.
  4. Resume (as a PDF)
  5. Unofficial transcript (as a PDF)
  6. Name and contact information of one (1) professional reference. Your reference provider can be a Stanford faculty, academic staff, professional staff member, or a work/internship supervisor (current or former). Your reference does not need to submit anything as part of your application. Program staff will let you know if there is a need to contact your reference.

Visit the Application Resources page for additional tips!

Stipends

All students accepted into SIPA receive a stipend to help support basic living expenses during the internship.

Summer 2026 Rates:

  • Pre-arranged (part-time): Participants receive a base stipend of $4,800, plus additional need-based aid up to $1,500.

Stipends are paid once students complete all pre-participation requirements including the orientation content in Canvas.

Student athletes should confirm the impact of any awarded stipend on their athletic eligibility by contacting the Compliance Services Office prior to accepting a SIPA internship stipend.

Disability Accomodations

If you need a disability-related accommodation and/or need to receive any internship information/application in alternate format, please contact the Diversity & Access Office at, at phone: (650) 725-0326 or email: disability.access@stanford.edu.

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Sabrina Wilensky 2018

Sabrina Wilensky

(she/her)

Director of Program Operations and Project Management

swilensk@stanford.edu

prayer

“prayer”, featuring the artist’s grandmother, captures feelings of chaos and anxiety, as well as the calm performed to or provided by others.

Link to Website

2021

Projection Installation

By '22
Flavors of Friendship

An ode to a few of many meaningful moments shared with friends over a cafe drink – Coffee at Peet’s, Chai by Meyer Green, and Matcha over Zoom.

2024

Gouache on Paper

By '24
Untitled (16 tuned chairs tapping @ 3rpm)

16 wooden chairs, each with one leg severed, tap in syncopated rhythm, puncturing through a low droning electrical hum.

Link to Website

2023

Found and modified wooden chairs, custom steel hardware, dc motors, wires, solder, modified cast iron weights

By '25
Illuminating the Mind

De-identified photograph taken for artistic purposes with permission from anatomy professors.

2015

Photograph

By '20
Back Out

This work is about rupture and disruption, whether environmental, familial, or linguistic. I wanted to think visually about over-saturation.

2020

India Ink on Paper

By '22
Keyword Poetry

A series of poems written exclusively with programming keywords. An investigation on language, audience, and dangerous English-centric thinking.

Link to Website

2017

code poems

By '19
Let Her Eat Cake

I sought to express the conflicting emotions-guilt as well as pleasure-associating with eating cake.

2016

Ink Resist on Paper

By '20
Bioluminescence

Mimicking the beauty of bioluminescence.

Link to Website

2022

Digital Photography

By '23
Moonrise

This painting is an interpretation of Magritte’s surrealist painting “The Mysteries of the Horizon,” replacing the men with an aging ballerina.

2018

Acrylic paint on canvas

By '22
Main Quad at Sundown

Location: Main Quad

2023

Digital Illustration

By '23
Sea Slug, Giant Green Anemone, Starfish Scene

These three prints depict tide pool scenes in Moss Beach, CA. They are part of a series, “From Puddles to Pools: A Showcase of Marine Invertebrates.”

2024

Sea Slug is a woodcut and the other two are etchings.

By '29
Rancho de San Luis, JAL, MX

August on my family’s ranch in Jalisco, México.

Link to Website

2017

Environmental Photographs

By '22
Ebb

This image plays with scale, texture, and the physicality of water.

2016

Color Film

By '17
Stand Up

I painted a woman who is battered but is pushing herself back up with resiliency. She sends a message of hope to those facing difficulties.

2017

acrylic on wood

By '22
Still I Rise

Video edited from found footage reflecting on the repetition, absurdity, and futility of everyday life.
Duration: 05:05

Link to Website

2018

Video Art

By '19
Untitled (Study for St. Sebastian) and Untitled (Study for Gabriel)

Both works are depictions of traditional Catholic religious figures figured through an assemblage of inanimate objects.

2018

Graphite and watercolor on paper

By '19
Where Language Begins and Does Not End

An exploration of the intergenerational and varied manifestations of Japanese internment on the self, the body, the family, and language.

2018

acrylic and mixed media

By '21
Utopia No. 1

Inspired by the works of Nina Katchadourian, this piece uses materials scavenged from the Stanford campus to explore the definition of “city.”

2018

Paper Maps on Cardboard

By '
Heal

This is a surreal meditation on nature’s comforting power as a sanctuary for people in need of healing.

2022

Pencil on paper

By '24
Way After Class Hours

Continuation of After Class Hours.

2020

Digital Illustration

By '23
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