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Jianna So '22
In “closeted”, a silhouette projected onto a bralette in a closet reimagines the queer closeted experience as a positive one.
Link to Website
2021
Projection Installation
By Jianna So '22
Open your eyes…this is the forest reverie, a queer healing space situated between mother nature and the digital world. Sleep tight.
2022
Photography
This series is meant to bring inspiration, energy and presence to the broader community during a difficult time of shelter-in-place and quarantine.
2020
Acrylic gouache on Yupo Polypropylene Paper
A watercolor painting of Stanford Campus
2023
Acrylic Painting
I sought to express the conflicting emotions-guilt as well as pleasure-associating with eating cake.
2016
Ink Resist on Paper
I met this young girl at a rural health clinic in Indonesia, where she had just given birth.
2014
Pencil and paper
This piece is a portrait of a friend that overlays an island near the Philippines that has a deep personal association for her from her time there.
2017
Oil Paint on Canvas
Cool portrait of girl trying to keep in her tears.
2018
Photoshop
A portrayal of the death of Chaos as depicted in the Zhuangzi, who expired after Shu and Hu bored a new hole into him each day for seven days.
2015
Digital Visual Art
This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.
Photography Series
Two paintings exploring emptiness and isolation, and confronting feelings of lack of control during the early stages of the pandemic.
Acrylic on canvas, some collage from a news story
This is a portrait of a cat whom I love and cherish.
2019
Oil on canvas
This piece uses classical aesthetics to explore man’s grief and natural processes, exploring the idea that humans can create, inform, and be nature.
Charcoal and Pencil on Paper
India to America. When the kids go to school everyday, they can see our own school, and not feel so far, despite being halfway around the world.
Enamel Paint
A realistic painting of a dog mouth, rendered uncomfortably close to the viewer. 8″ x 10″.
Oil paint on canvas
A study of a tree for Drawing I in charcoal, exploring silhouettes and shading.
Charcoal on Paper
A collage made from mind media upon reflection of a quarter of studying the classics in Stanford’s freshman SLE residential program.
Mixed Media/Collage
A reflection of my Korean heritage in the new digital age, and how technology distorts my self-perception and my relationship with my culture.
Acrylic Paint on Canvas
A mother lamb takes gentle care of her newborn.
cloudy with a chance of love
Digital illustration
This work is about rupture and disruption, whether environmental, familial, or linguistic. I wanted to think visually about over-saturation.
India Ink on Paper