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Noah DeWald '20
Experimentation with natural forms and light.
2018
Photograph
By Noah DeWald '20
This series is meant to bring inspiration, energy and presence to the broader community during a difficult time of shelter-in-place and quarantine.
2020
Acrylic gouache on Yupo Polypropylene Paper
Originally meant as a study of diffused light in a “nocturne” scene, this piece is a take on portraiture, figures, and landscape in one.
Oil Paint on Canvas
This painting speaks to how beauty lies in impermanence, contrasting eternal mountains and passing mist.
2023
ink on rice paper; poetry
I made this painting with an attempt to capture the vibrant feeling of spring and awakening. It’s a reminder of the beauty and color of life!
2014
Oil on canvas
The cellphone becomes a monumental, invasive aspect of experiences (especially in nature), yet is so integral in shaping memories.
Link to Website
2019
iPhone photographs, collaged on Photoshop
This self portrait depicts how your initial view of the world glitches, or shatters as different experiences come with growing up.
Colored pencil
This work converts content into physical form. Charlie Chan, played by white actors in yellowface, investigates murders. But who is he really hurting?
2017
Ink and print on wood
No Description
2022
Watercolor on Paper
I use this artwork to ask, “What has become of our childhood innocence?”
ink on paper, collage
This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.
Photography Series
This artwork examines the place of genetically modified organisms in modern society and how we view them, blurring the line between item and organism.
fine-tip pen and watercolor on paper
This piece was made the week before quarantine when everything was uncertain and the weight of not knowing what was to come next hung over our heads.
Boulder & Rope
While at SFMOMA with Stanford’s ITALIC program, I created this self-portrait to explore the merging of technology with my image of self.
This self portrait depicts the artist in self reflection. The couple gazes forward, as hidden collaged images loom behind, reminding them of the past.
Acrylic and Collage on Canvas 30 x 40 in
Location: The Claw fountain, White Plaza Part of the virtual 2020 Stanford Gaieties musical scenery.
Digital Illustration
Growing up in Iran taught me that limitation breed creativity. I tried to embody the same lesson by using alternative printing methods in the darkroom
2016
Black & white photography
This is a “still life” of the fish market at my local Chinese grocery store. It is a wet, slimy, strange, intimidating, and magnificent place.
Acrylic on Canvas
I wanted to render a tree during a vibrant morning on The Farm from a design perspective.
Ink Resist
Winter 2017, I wrote my first song, ‘Something You Should Know’. After working on the lyrics, production and recording for two years here it is!
Song available on all streaming platforms (spotify, apple music)
This is a photo taken in the Main Quad.