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Suspended (Acropolis, Athens)
History is tied to humanity. There is something heartening about a city that takes pride in its past.
2018
acrylic on canvas
By Vedika Kanchan '23
Killer in the Sun
A three panel survey of a new environment.
2018
Acrylic on Canvas (Three 5ft x 4ft panels) 60 x 144 in
By Gunner Dongieux '21
Mirror in my mind
An exploration of nature’s healing power as an avenue for escapism and introspection.
2022
Ballpoint and pencil on paper
By Bryan Defjan '24
Submersion
Submersion is a painting that experiments with figure in distortion, and blends the organic elements of nature with human form.
2015
Acrylic Paint on Canvas
By Meagan Wu '18
Digital Future
This piece depicts how TikTok primarily portrays a fetishized version of Asian women, leading to an uncertain digital future of complicated dynamics.
2022
Linoleum Block Print on Paper
By Hannah Cha '25
Figure 57
This artwork examines the place of genetically modified organisms in modern society and how we view them, blurring the line between item and organism.
2014
fine-tip pen and watercolor on paper
By Noah DeWald '20
Queer Intimacy
Forms of intimacy—emotional, physical, intellectual, spiritual—overlap in these abstract shapes. Intimacy is fluid, not rooted in rigid definitions.
2022
Wood Sculpture
By Bryan Defjan '24
19 Self-Care Tips To Try Out
In a knife fight, two versions of me grapple and wrestle for control, but both end up symmetrically and simultaneously triumphant and defeated.
2018
Oil paint on found wood
By Cairo Mo '20
Mourning Window
This is a self portrait examining the complex nature of identity through both realistic forms and abstract shapes.
2016
Acrylic on Canvas
By Noah DeWald '20
Exotic Oriental Murder Mystery!
This work converts content into physical form. Charlie Chan, played by white actors in yellowface, investigates murders. But who is he really hurting?
2017
Ink and print on wood
By Olivia Popp '20
The Body as Canvas
Body painting is used to simulate the patient-doctor relationship. Imagery is inspired by anatomy and the model’s bodily experiences.
2020
Body Paint on Skin
By Savannah Mohacsi '20
Security Blanket
The security blanket is a metaphor for something we cling to when we are afraid and how it is something we must learn to let it go.
2019
Photography
By Kelsey Wang '22
Flowers II
I made this painting with an attempt to capture the vibrant feeling of spring and awakening. It’s a reminder of the beauty and color of life!
2014
Oil on canvas
By Shin Mei Chan '18
Which passes through; Life like weeds, no. 3; Standing nude; Up, Simba; Violet light and a hum, no. 2
These collages were created from material gathered from a variety of found sources—primarily Life, National Geographic, and Time magazines.
2020
Collage & ink pen
By Kyle Cromer '20
Photos of Old Beijing
These monotype prints are based on historical photos of imperial palaces in Beijing, my hometown.
2019
monotype on paper
By Cathy Yang '20
Green Library
As a landscape photographer, I like to see things in different light. These would represent my personal interpretation of Stanford.
2017
Photo
By Lining Sun '18
Rancho de San Luis, JAL, MX
This project was done on a ten-day summer trip to my family’s ranch.
2017
Environmental Photographs
By Kamilah Arteaga '22