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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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coffee showers

inspired by Mondays, morning showers, and an addiction to caffeine.

2019

Digital illustration

By Elaine Park '21
Cattle Soul

I made this piece as an exploration of how cows are perceived in different cultures, and society’s relationship to animals as a whole.

2015

Mixed Media

By Noah DeWald '20
Koreanthian

Koreanthian is based on merging different architectural styles that transcends geographical, cultural, and historical differences.

2024

Pen & Ink Drawing on Bristol Paper

By Austin Kim '27
Your Grandpa Kimo Weaves Lauhala

This piece depicts a fictionalized memory of my grandfather, who I only knew through his woven hats and birds passed down through my family.

2023

Oil Paint on Canvas

By Kea Kahoilua Clebsch '26
Study of Rodin Bust

This is a study of Auguste Rodin’s “Bust of St. John the Baptist,” in an attempt to capture the densely textured look of the original.

2018

Charcoal, white chalk on toned paper

By Noah DeWald '20
one foot in the water

A projection of water drapes over a foot, the painting interweaves the physical and digital sensation.

Link to Website

2016

Oil on canvas

By Vivienne Le '19
Tahoe Mountains and Sky

Indigo mountains and a somber gray sky are reflected in the clear water of Lake Tahoe.

2022

Oil paint on canvas

By Christina Kent '22
Night Drawing

Night is when the imagination comes alive.

2020

Digital Illustration

By Helen He '23
Venice

A piece set on a quiet, sunny afternoon in Northeast Italy. Used a reference.

2018

Colored Pencil on Paper

By German Enik '22
self – portrait

This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.

2018

Oil Paint on Canvas

By Esther Omole '21
Renowned Bodies

This work is a triptych of body parts from several acclaimed works by Renaissance artists. The famous works are reimagined in a modern style.

2018

Acrylic Paint on Canvas

By Susy Manrique '19
Headdress girl

I met this young girl at a rural health clinic in Indonesia, where she had just given birth.

2014

Pencil and paper

By Elizabeth Hyde '20
No RECAmpense

I made these photos at the abandoned Oppenheimer film set in Ghost Ranch, NM. Downwinders in NM harmed by test radiation remain uncompensated by RECA.

2023

35mm Photography

By Weston Keller '27
window/windows

A process exploration of dye sublimation to print the iconic “Bliss” wallpaper of the operating system Windows XP onto constructed shutters.

2017

Sculpture: wood, white house paint, printed acrylic sheet, venetian window structure

By Vivienne Le '19
Harbor

These photographs were taken in Aegina, Greece. During ancient times Aegina was a rival of Athens, the great sea power of the era.

2019

Digital Photographs

By Laura Anderson '21
SlumRat

This short film was submitted as part of my arts portfolio for my Stanford application

Link to Website

2021

Short Film

By Leeth Singhage '26
Untitled

A close-up, multi-colored rendering of Eppendorf tubes illustrates that Lab Life is not as monochromatic as it appears.

2019

Oil paint on Canvas

By Mackenzie Carlson '23
Ahina (Juhu, Mumbai – Home)

This painting is in honor of Ahina and all the women that spend years wishing for a day at school.

2017

46″ x 32”

By Vedika Kanchan '23
Crushed

Popular Korean and American soda brands represent my Korean-Americanness, and the crushing pressures of assimilation that warps self-perception.

2021

Acrylic Paint on Canvas

By Hannah Cha '25
Áo Dài in Seven Parts

Pinned parts of a traditional Vietnamese dress cut to my measurements. Through deconstruction, functionality and familiarity are lost.

2023

Charcoal and Mixed Media on Salvaged Cotton and Organza

By Lily Thai '27
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