Campus Stories - St. Lawrence String Quartet

Campus Stories

St. Lawrence String Quartet celebrates 30 years of bringing people together through music

The St. Lawrence String Quartet (SLSQ), Stanford’s ensemble-in-residence, is fiercely committed to building communities through music and education. Whether they’re playing in a nontraditional venue or teaching students and musicians in person or online, the SLSQ strives to make connections with people who might not otherwise have access to chamber music. Established 30 years ago in Toronto…

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Campus Stories

Musicians from all over the world come to Stanford for the annual Chamber Music Seminar

Musicians from all over the world ranging in age from 18 to 82 arrived on the Stanford campus to participate in the 10-day St. Lawrence String Quartet (SLSQ) Chamber Music Seminar. Although each of the 75 musicians brings a unique background and musical goals, all share an eagerness to work directly with the SLSQ, Stanford’s…

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Campus Stories

Stanford Live celebrates Canada Day as part of its Summer Series at Bing Concert Hall

Summer is upon us, but that doesn’t mean the arts are going on vacation. Many Stanford concerts, performances and events are scheduled on campus in the coming months, including the Stanford Jazz Festival, Stanford Repertory Theater‘s summer festival, “The Many Faces of Farce,” Department of Music and Stanford Live performances at Bing Concert Hall, starting…

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Leadership

Stanford’s St. Lawrence String Quartet brings Beethoven to the San Francisco County Jail

Music lives and thrives in all sorts of unexpected places: theaters and living rooms, dingy warehouses and brightly lit stadiums. It blasts through car stereos and provides quiet comfort in moments of solitude. Stanford’s ensemble-in-residence, the St. Lawrence String Quartet (SLSQ), brought live music to an unexpected place, far removed from the concert hall. They…

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Campus Stories

Stanford hosts Rolston String Quartet

“Where words fail, music speaks.” This simple adage, attributed to 19th-century Danish author of children’s fairy tales Hans Christian Andersen, still rings true today. His words get to the heart of why we listen to music – for its ability to express what we would otherwise never know how to say. The music of the…

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Campus Stories

Stanford launches its first free online course in classical music appreciation

A new, free Stanford Online class that explores the early evolution of the string quartet and features classical music and commentary is now open for enrollment. Designed to be of interest both to musicians and those with no prior knowledge of the form, Defining the String Quartet: Haydn explores the origins of the string quartet…

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Group of choral singers
Campus Stories

Recording produced at Bing Concert Hall makes first step toward Grammy nomination

The National Academy of Recording Arts & Sciences announced that the recording of Joseph Haydn’s Lord Nelson Mass (Nelsonmesse) and Symphony No. 102 performed by the St. Lawrence String Quartet, Stanford Chamber Strings and Stanford Chamber Chorale in Bing Concert Hall has qualified for the first-round ballot in four Grammy categories: Best Choral Performance, Best Chamber Music/Small…

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Composer Rob Kapilow, a guest faculty member in the St. Lawrence String Quartet's Chamber Music Seminar, participates in a masterclass with Nicholas Tavani and Rachel Shapiro of the Aeolus Quartet.
Campus Stories

Eat, play, learn at Stanford: You can’t live without music

Speeding over the Mojave Desert on his blue BMW motorcycle with a viola strapped to his back, Robert Hauswald isn’t the typical professor of economics. But he is emblematic of the diverse performers who travel across the world each summer to attend the St. Lawrence String Quartet’s annual Chamber Music Seminar at Stanford. Lifelong amateur musicians join…

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Stanford Live Executive Director Wiley Hausam will oversee programming for the Bing Concert Hall for the first time in the 2013-14 season.
Campus Stories

Stanford Live’s Executive Director Wiley Hausam looks forward to 2013-14 and beyond

Wiley Hausam came to Stanford in 2012 as the executive director of Bing Concert Hall with a healthy performing arts portfolio under his arm. He was a Broadway producer, a presenter of classical theater and musicals, and the former executive director of two university performing arts centers where he excelled at developing younger audiences with…

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Campus Stories

Stanford Live Announces 2013-14 Season

Highlights include Season-Opening concert with Itzhak Perlman and the Perlman Music Program, evening with Patti LuPone and Mandy Patinkin and recitals by violinist Joshua Bell, sopranos Deborah Voigt and Angela Brown, and pianist Richard Goode World premiere of Linked Verse, a collaboration between Stanford assistant professor of music Jaroslaw Kapuscinski and artistic collective OpenEndedGroup, features…

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The cello section, during a chamber orchestra reading session.
Campus Stories

SLSQ Chamber Music Seminar 2013

The St. Lawrence String Quartet is pleased to host the Chamber Music Seminar, 2013, with 67 musicians making up 17 groups, including trios, quartets, a quintet, and a string sextet. The presentation of five concerts at the new Bing Concert Hall this year will be an exciting new development for the seminar series. Students will…

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Jay Blakesberg
Campus Stories

Visitations: Theotokia and The War Reporter, chamber operas by Jonathan Berger, and Landfall, a collaboration between Laurie Anderson and Kronos Quartet

Only a few months after the official opening, Bing Concert Hall has revealed itself to be a masterpiece of organic design ideally suited to intimate, classical performance in a modern setting. At the same time, the space encourages creative exploration and is able to support cutting-edge technology in a way that refocuses the timeless dialogue between…

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Actor, author and former Stanford faculty member Anna Deavere Smith introduces the St. Lawrence String Quartet on Friday.
Campus Stories

Stanford’s Bing Concert Hall opens to rave reviews

Early reviews of Bing Concert Hall from the press, performers and patrons are in, and they are glowing. The best of the bon mots include: “The sound popped like champagne,” “The hall exudes a serenely majestic air,”  “The acoustics in the room and the intimacy of the space made performing an incredibly personal musical experience,”…

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