View Public Art
Saturday, October 26
Buy tickets
Start Making
By Topic
Career Pathways
Other Opportunities
Learn More
About Us
People
Connect with us
Anneke Claypool '21
A portrait of a good dog.
2020
Acrylic Paint on Canvas
By Anneke Claypool '21
This work is based off of a found photo archive of World War I era battle photographs. It is from a series that investigates the role of the soldier.
2016
Acrylic, charcoal, and india ink on paper
A series of photo edits of everyday moments at Stanford.
2017
Digital Art
Forms of intimacy—emotional, physical, intellectual, spiritual—overlap in these abstract shapes. Intimacy is fluid, not rooted in rigid definitions.
2022
Wood Sculpture
This is a photograph taken of me practicing golf! I particularly enjoy the lighting and the visual interplay between the golf ball and the clubface.
2018
Photograph of Athletics
Series of 22 photographs reimagining tarot cards (Rider-Waite deck Major Arcana), to reflect the diversity and complexity of the contemporary world.
Digital Photographs
This was a fun illustration that I polished up for International Day of the Girl this year (October 11)!
Digital art
This portrait portrays a friend overlaid and entangled in the swamps of Louisiana near NOLA — her home.
Oil on Canvas
The cellphone becomes a monumental, invasive aspect of experiences (especially in nature), yet is so integral in shaping memories.
Link to Website
2019
iPhone photographs, collaged on Photoshop
These pieces draw on the rich beauty of Italy to subvert ideas of what Italian art must be (i.e stuck in the Renaissance).
Pen and Marker
Submersion is a painting that experiments with figure in distortion, and blends the organic elements of nature with human form.
2015
This short film was submitted as part of my arts portfolio for my Stanford application
2021
Short Film
Amid noise and glitches, serenity emerges as data flows, lines converge, existing and dissipating simultaneously.
2024
Video Art (with sound)
A series of poems written exclusively with programming keywords. An investigation on language, audience, and dangerous English-centric thinking.
code poems
Taken while walking in my hometown of Washington, D.C.
Photograph
Portrait of my friend, a queer black woman, in her room the night of the 2025 election results.
Acrylic on Canvas
Location: Law School terrace
Digital Illustration
The collage reveals the anxiety behind social media despite the posing clear photo on the outside. It represents the façade we show to the world.
Acrylic paints, alcohol markers, styrofoam, gel pen, transparent film on cardstock printed collage
Man passing through a quickly gentrifying neighborhood in Paris. The text reads “it is dark (or literally, black) in the country of lights.”
Photograph of Man in Paris
A three panel survey of a new environment.
Acrylic on Canvas (Three 5ft x 4ft panels) 60 x 144 in
I painted this painting following the death of my dog. Sourcing imagery from cheap print and Southern nostalgia, Lassie paints a scene of rebirth.