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This is a picture a created from 40 raw pictures I took of the same fruit cup. Compiling all 40 images into one allowed me to show everything in focus
2018
Digital Photograph
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2017
Photo
Past lovers who couldn’t be together grieve over “what was” and “what could have been”, learning each other’s rhythms tenderly for the first time.
2024
Oil on Canvas
A ghostly woman draped in a silk shawl and pearls.
2022
Charcoal
A piece set on a quiet, sunny afternoon in Northeast Italy. Used a reference.
Colored Pencil on Paper
This work is a triptych of body parts from several acclaimed works by Renaissance artists. The famous works are reimagined in a modern style.
Acrylic Paint on Canvas
I took this photo at the Palo Alto Caltrain station in the fall. I used black ink and a black and white filter to provide an “outside of time” look.
2016
This work was featured at a solo show with New Image Art in West Hollywood. You are welcome to share any of the work on my Instagram (L.SongWu)
2023
Oil paint on canvas
This painting is an interpretation of Magritte’s surrealist painting “The Mysteries of the Horizon,” replacing the men with an aging ballerina.
Acrylic paint on canvas
Photo series capturing California’s landscapes and the impacts of human intervention through 35mm film.
Link to Website
2020
Analog Film
Portrait of my friend, a queer black woman, in her room the night of the 2025 election results.
Acrylic on Canvas
It’s a shame if you did not get around time to see Hoover Tower in different lights.
The rising sun in the bay turns typically unaesthetic man-made transmission towers into a beautiful contrast of light and dark.
Photography
inspired by Mondays, morning showers, and an addiction to caffeine.
2019
Digital illustration
A cat in a Japanese restaurant.
3D computer graphics
Roses bloom from her cuts.
Photoshop
I love the idea of a personal brand, especially in 2016.
2014
Color Film
“prayer”, featuring the artist’s grandmother, captures feelings of chaos and anxiety, as well as the calm performed to or provided by others.
2021
Projection Installation
A close-up, multi-colored rendering of Eppendorf tubes illustrates that Lab Life is not as monochromatic as it appears.
Oil paint on Canvas
Location: The Claw fountain, White Plaza Part of the virtual 2020 Stanford Gaieties musical scenery.
Digital Illustration