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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Jackie Liu '25

Art Practice 2025 @jackieliuart

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Trying to Forgive

Sleepyhead

Good Morning

So Hysterical

Moral Support

This Too Shall Pass

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Wilting tree

I wanted to render a tree during a vibrant morning on The Farm from a design perspective.

2016

Ink Resist

By Brooke Ferber '20

Let Her Eat Cake

I sought to express the conflicting emotions-guilt as well as pleasure-associating with eating cake.

2016

Ink Resist on Paper

By Brooke Ferber '20

Free Association Portraits

This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.

2019

Charcoal and Ink on Toned Paper

By Jamie Seney '21

The Spire of Notre Dame

Thousands of stippled dots layer on each other to create each gargoyle and rooftop, coming together to reveal the magnificent, historical spire.

2020

Pen and Ink

By Sarah Dong '26

Soldier I

This work is based off of a found photo archive of World War I era battle photographs. It is from a series that investigates the role of the soldier.

2016

Acrylic, charcoal, and india ink on paper

By Ali Vaughan '19

Detritus

How do you heal after being discarded?

2021

Acrylic on Canvas

By Victoria Lin '27

Symbiosis

The piece is inspired geometric subdivision, tessellations and fractals, fusing representations from Chinese, Japanese, and Japanese symbolisms.

2017

Laser Cut Birchwood

By Kimberly Te '20

Photos of Old Beijing

These monotype prints are based on historical photos of imperial palaces in Beijing, my hometown.

2019

monotype on paper

By Cathy Yang '20

Glitch, Beyond the Cracks

This self portrait depicts how your initial view of the world glitches, or shatters as different experiences come with growing up.

2020

Colored pencil

By Tracy Wei '26

Ozymandias

Based on the poem Ozymandias by Percy Bysshe Shelley, this piece was intended to examine the environmental and cultural cost of the fashion industry.

2015

Mixed Media

By Noah DeWald '20

Heal

This is a surreal meditation on nature’s comforting power as a sanctuary for people in need of healing.

2022

Pencil on paper

By Bryan Defjan '24

Motherhood Postponed till Further Notice

Collage exploring feminist and bioethical discussions of reproductive technologies. Previously featured at the Medicine & the Muse Student Symposium.
Link to Artwork

2024

print

By Hana Dao '25

Figure 57

A fun, surreal piece exploring themes related to the modern food industry.

2014

Watercolor on Paper

By Noah DeWald '20

David

“David” is a 3D bust loosely based on Michelangelo’s piece of the same name. Inspired by the music video of “Money for Nothing” by Dire Straits.

2018

Blender 3D Render

By Noah DeWald '20

Sea Glass

Sea Glass is a poem I wrote in high school about fearing going to college. I transformed it into a book with watercolor paintings and text designs.

2023

Art book

By Chloe Chang '25

Spin

Abstract photography with the goal of rendering mundane objects unrecognizable.

2018

Photography

By Noah DeWald '20

Misfit Photography

Often, I find myself missing the changing of seasons. But if I just look closely, signs of autumn are all around.

2019

Nature Photography

By Renata Starbird '21

EXPLOSIONS

This piece is a manipulated photograph printed on metal.

2019

Mixed Media on Metal

By Constantinos Gallis '24

Cityscapes and Scenes

I have a series of three paintings showing scenes from 3 places here in USA which caught my eye.

2022

Watercolor

By Dayeeta Pal '27

The Art of Binaural Beats

I painted one piece for each type of binaural beat to test the hypothesis, “distinct beat = distinct effect.” Conclusion? It didn’t really pan out.

2020

Watercolor on Paper

By Marie Bland '23
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