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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Sarah Dong '26

Data Science 2026 @sarahhdong

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Looking Back 2021

A Matter of Time

A Moment at the Louvre

Reaching Out

Sandy Treasures

Sandy Treasures

Cat in Paris

Into the Mist

The Spire of Notre Dame

A Matter of Time

A Moment at the Louvre

Refresh Artwork
Close Modal

The Ritual

My mother in her monthly kimchi-making ritual, a food that I learned to take pride in despite being initially ashamed of it.

2020

Acrylic Paint on Canvas

By Hannah Cha '25

Flowers II

I made this painting with an attempt to capture the vibrant feeling of spring and awakening. It’s a reminder of the beauty and color of life!

2014

Oil on canvas

By Shin Mei Chan '18

˗ˏˋ safe ☽ ˎˊ˗

Two girls, Cloud and Moon, are safe in space.

2018

Photoshop

By Angela He '21

end.

Roses bloom from her cuts.

2018

Photoshop

By Angela He '21

Nostalgia

This piece is a portrait of a friend that overlays an island near the Philippines that has a deep personal association for her from her time there.

2017

Oil Paint on Canvas

By Francesca Colombo Colombo '19

Anatomy of the Vogue

Anatomy of the Vogue is a portraiture study of clinical anatomy that bridges human and corpse through a play on the fashion industry.

Link to Website

2016

Colored Pencil

By Meagan Wu '18

Untitled

[how I avoid winter quarter: experiments with colors and a palette knife]

2017

Oil Paint on Canvas

By Meg McNulty '20

La Belleza Italiana

These pieces draw on the rich beauty of Italy to subvert ideas of what Italian art must be (i.e stuck in the Renaissance).

2017

Pen and Marker

By Ashi Agrawal '19

View to a Kill

This self portrait depicts the artist in self reflection. The couple gazes forward, as hidden collaged images loom behind, reminding them of the past.

2018

Acrylic and Collage on Canvas 30 x 40 in

By Gunner Dongieux '21

Clyde

This piece is of my neighbor’s beagle, Clyde. She has two dogs, and the other is named Bonnie!

2016

Colored pencil

By Angela Liu '23

Two Boys Dancing

Past lovers who couldn’t be together grieve over “what was” and “what could have been”, learning each other’s rhythms tenderly for the first time.

2024

Oil on Canvas

By Bryan Defjan '24

Visions of Separation

The emotional turmoil of Fall quarter. As students process their new reality, they long for human connection but also feel empty and purposeless.

Link to Website

2021

Photography

By Bryan Defjan '24

A Hand To Hold (World)

This work is made with acrylic on campus in addition to found paper items, medical textbooks, and other materials.

2018

Acrylic paint and multimedia on canvas

By Jorie Coe '22

let it out;

Cool portrait of girl trying to keep in her tears.

2018

Photoshop

By Angela He '21

Lagunita

I am lucky enough to witness Lagunita being a real lake.

2017

Photo

By Lining Sun '18

Cat in Paris

A gray tabby cat with timeless, marble-like eyes filled with stories to tell and lessons to share sits near a bush, encapsulating the spirit of Paris.

2019

Colored Pencil

By Sarah Dong '26

Photos of Old Beijing

These monotype prints are based on historical photos of imperial palaces in Beijing, my hometown.

2019

monotype on paper

By Cathy Yang '20

SJC Logo Redesign

SJC redesign – inspired by bold ‘Mod’ textiles, rooted in the London-based 1960’s ‘Mod’ fashion and music subculture centered around modern jazz.

2016

Graphic Design and Print

By Tyler Su '20

Tree

This drawing for me is meant to capture some of the dynamic processes I have witnesses in the Cosmos.

2018

Watercolor and black ink

By Alejandro Poler '19

Free Association Portraits

This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.

2019

Charcoal and Ink on Toned Paper

By Jamie Seney '21
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