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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Sarah Dong '26

Data Science 2026 @sarahhdong

View All Artwork

Looking Back 2021

A Matter of Time

A Moment at the Louvre

Reaching Out

Sandy Treasures

Sandy Treasures

Cat in Paris

Into the Mist

The Spire of Notre Dame

A Matter of Time

A Moment at the Louvre

Refresh Artwork
Close Modal

Graphic Life

A series of photo edits of everyday moments at Stanford.

2017

Digital Art

By Jeramiah Winston '19

Heal

This is a surreal meditation on nature’s comforting power as a sanctuary for people in need of healing.

2022

Pencil on paper

By Bryan Defjan '24

I’m looking at you

The great horned owl is found at Stanford and throughout the Americas and is named for its distinctive ear tufts.

2023

machine embroidery on cotton fabric

By Daniel Richman '27

Memorial Church

Light fluctuations through stained glass is always beautiful and ethereal at different times of day.

2025

Photograph of the Stanford Memorial Church

By Vivian Xiao '28

Sky River

Sky River is a digital reinterpretation of Japanese graphic designer Koichi Sato’s style based on minimalist forms and gradients.

2019

Blender 3D render

By Noah DeWald '20

Koreanthian

Koreanthian is based on merging different architectural styles that transcends geographical, cultural, and historical differences.

2024

Pen & Ink Drawing on Bristol Paper

By Austin Kim '27

Ocean View

Whales and dolphins were my favorite animals when I was younger. In this piece, dark shadows contrasted by blue hues highlight that childhood bond.

2018

Adobe Photoshop Illustration

By Helen He '23

Yanofsky’s Legacy

Vials of yeast samples are the remaining evidence of Dr. Charles Yanofsky, a noted faculty and geneticist who passed away in 2018.

2018

Photograph

By Suzanne Ou '23

Reflections

This is a picture of the hub of the city getting reflected in the river water.

2021

Acrylic Paint on Canvas

By Dayeeta Pal '27

Don’t Stare

This work centers on the relationship between the human and the artificial, inspired when I photographed my cousin with a stark, artificial flash.

2023

Oil and Acrylic Paint on Canvas

By Emily Zhang '26

Clout Chaser

A reflection of my Korean heritage in the new digital age, and how technology distorts my self-perception and my relationship with my culture.

Link to Website

2021

Acrylic Paint on Canvas

By Hannah Cha '25

Venice

A piece set on a quiet, sunny afternoon in Northeast Italy. Used a reference.

2018

Colored Pencil on Paper

By German Enik '22

Crushed

Popular Korean and American soda brands represent my Korean-Americanness, and the crushing pressures of assimilation that warps self-perception.

2021

Acrylic Paint on Canvas

By Hannah Cha '25

Lake Nakuru

My mom took a great photo of these skulls hanging on a tree during my trip to Kenya with my family, and wanted to recreate the image in a painting.

2017

Acrylic Paint on Canvas

By Angela Liu '23

Flavors of Friendship

An ode to a few of many meaningful moments shared with friends over a cafe drink – Coffee at Peet’s, Chai by Meyer Green, and Matcha over Zoom.

2024

Gouache on Paper

By Arethea Lim '24

Ocean Beach Poppies

Bright orange poppies burst into the foreground framed by cool blue houses behind.

2022

Oil paint on panel

By Christina Kent '22

Cattle Soul

I made this piece as an exploration of how cows are perceived in different cultures, and society’s relationship to animals as a whole.

2015

Mixed Media

By Noah DeWald '20

A Still from At Bay: Chapter One – How to Start a Startup

At Bay is a student-created web series about the launch of a Stanford startup that goes horribly, horribly wrong.

Link to Website

2016

Still from a web series

By Katie Adams '17

Consumed

This drawing shows the harsh lines of a cityscape being consumed by organic forms, suggesting that, try as we might, we cannot overpower nature.

2017

Ink on Paper

By Annie Ng '20

The Countour

The Countour of White Sands NP

2023

Photograph

By Weilai Yu '22
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