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Student Artist
TAPS + MS&E/STS 2026 @leethsinghage
It’s a shame if you did not get around time to see Hoover Tower in different lights.
2018
Photo
This interactive poem takes the shape of a kimchi jar and symbolizes my separation and recent reunion and celebration of my Korean identity.
Link to Website
2023
3D Arduino installation, interactive poetry
A love letter to passionate yet high-strung and jaded Generation Z, this series focuses on youth’s struggles to find meaning in today’s online world.
2021
Photography
This drawing was an attempt to capture my feelings about Stanford: an intimidating fortress of possibilities.
Markers on paper
This symbolizes unity, being made by members of the Black Community. South African word, Umbutu, translates to togetherness or “I am because we are”
Acrylic on Paper
My artwork is a sonnet in which two stars reminisce about Earth. Link to Artwork
Poem
This piece depicts a fictionalized memory of my grandfather, who I only knew through his woven hats and birds passed down through my family.
Oil Paint on Canvas
This work is about rupture and disruption, whether environmental, familial, or linguistic. I wanted to think visually about over-saturation.
2020
India Ink on Paper
“Oxymoron” defies norms with the bond between a fierce girl warrior and her majestic dragon companion, embodying unity amidst contrast. Link to Artwork
2024
Watercolors and inkpen on mixed media paper
This work centers on the relationship between the human and the artificial, inspired when I photographed my cousin with a stark, artificial flash.
Oil and Acrylic Paint on Canvas
A commentary on the fifth stage of grief: acceptance.
Acrylic on Canvas
The piece is inspired geometric subdivision, tessellations and fractals, fusing representations from Chinese, Japanese, and Japanese symbolisms.
2017
Laser Cut Birchwood
I have a series of three paintings showing scenes from 3 places here in USA which caught my eye.
2022
Watercolor
Stillness, the relationship between Venice’s constant landscape and its moving parts, environments of order that have witnessed extravagant change
acrylic on canvas
I made this piece as an exploration of how cows are perceived in different cultures, and society’s relationship to animals as a whole.
2015
Mixed Media
Pinned parts of a traditional Vietnamese dress cut to my measurements. Through deconstruction, functionality and familiarity are lost.
Charcoal and Mixed Media on Salvaged Cotton and Organza
Portrait of my friend, a queer black woman, in her room the night of the 2025 election results.
Isolation, fear, and uncertainty are themes that come up more in our lives, seen through nighttime photos taken in the woods.
A three panel survey of a new environment.
Acrylic on Canvas (Three 5ft x 4ft panels) 60 x 144 in