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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Lining Sun '18

Psychology 2018

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The Quad

Green Library -3

Green Library -2

The claw (updated)

Green Library

Arches by Picasso

Two versions of my favorite picture of the church

The Church and the center of Stanford

Hoover Tower Day and Night

Dish in layers

Lagunita

Art at Stanford

Inside the church

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Close Modal

Monstera

Aluminum CNC machined monstera leaf inspired bottle opener. I promise it looks better than it sounds.

2024

Sculpture

By Cooper Shea '24

Moss Landing

Inspired by a trip to explore the nature preserves in Mass Landing, CA, this art showcases two curlew birds looking for food in the shallow waters.

2017

Watercolor and Pencil

By Alberto Arvayo '18

Oh, Dear

This piece captures the fleeting, but golden moment of connection between the deer and the viewer. A reminder that beautiful things are fleeting.

2015

Oil on canvas

By Shin Mei Chan '18

Expression

This is about alienation and emotional expression as a stone, cold figure looks blankly to a wall of artificial expressions in a room.

2021

Digital 3D Render

By Mhar Tenorio '24

Looking Back 2021

2021 — a year of uncertainties, breakthroughs, and hope. The nurse at a vaccination site epitomizes this spirit of perseverance and hope.

2021

Acrylic Paint on Canvas

By Sarah Dong '26

Detritus

How do you heal after being discarded?

2021

Acrylic on Canvas

By Victoria Lin '27

This Too Shall Pass

With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.

2023

Oil on wood panel

By Jackie Liu '25

Main Quad Blues

Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.

2019

Digital Illustration

By Helen He '23

Untitled

A faceless woman in a room of South Vietnamese soldiers

2022

Graphite on Paper

By Lily Thai '27

Explosive Bloom

A sculpture paying homage to the queer community and culture. Delicate like a flower, yet distinct like an explosion. Trans bodies at the center.

2021

Wood Sculpture

By Zaki Rob '25

Untitled

A ghostly woman draped in a silk shawl and pearls.

2022

Charcoal

By Jessica Lee '22

The Countour

The Countour of White Sands NP

2023

Photograph

By Weilai Yu '22

Submersion

Submersion is a painting that experiments with figure in distortion, and blends the organic elements of nature with human form.

Link to Website

2015

Acrylic Paint on Canvas

By Meagan Wu '18

Bruises

Western media creates unrealistic expectations of perfection in avocados. In this painting, I seek to challenge and redefine avocado beauty standards.

2016

Oil on canvas

By Nan Munger '20

Focus

Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.

2019

Photograph

By Yifei He '22

Renowned Bodies

This work is a triptych of body parts from several acclaimed works by Renaissance artists. The famous works are reimagined in a modern style.

2018

Acrylic Paint on Canvas

By Susy Manrique '19

“Nothing Gold Can Stay”

This is a painting I did for the Congressional Art Competition. The painting is of my mother’s horse JR on my last ride on him before he died.

2014

Acrylic on canvas 24″x 24″

By Alexis Ivec '21

end.

Roses bloom from her cuts.

2018

Photoshop

By Angela He '21

Green Library -2

As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.

2017

Photo

By Lining Sun '18

BAGUETTE!

Episode 1 of an upcoming mystery micro-film series

Link to Website

2022

Short Film

By Leeth Singhage '26
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