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These monotype prints are based on historical photos of imperial palaces in Beijing, my hometown.
2019
monotype on paper
I wanted to depict the endless possibilities of this world; the one we are so used to taking for granted.
2018
Acrylic on canvas
The central focus of these prints is the vibrant potato starch granule depicted under polarized light and how its shape and colors are manipulated.
2023
Algorithmic Art made with Processing
“Ritual” is an unfinished game prototype that is one piece of a meta-narrative that unfolds as the viewer explores the file directory containing it.
Link to Website
2020
Interactive narrative horror game/file explorer experience
Submersion is a painting that experiments with figure in distortion, and blends the organic elements of nature with human form.
2015
Acrylic Paint on Canvas
I am lucky enough to witness Lagunita being a real lake.
2017
Photo
Location: Lathrop 24/7 Study Room
2022
Digital Illustration
The Countour of White Sands NP
Photograph
A vivid rainbow above the hoover tower
Photograph of nature
As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.
Two paintings exploring emptiness and isolation, and confronting feelings of lack of control during the early stages of the pandemic.
2021
Acrylic on canvas, some collage from a news story
A portrayal of the death of Chaos as depicted in the Zhuangzi, who expired after Shu and Hu bored a new hole into him each day for seven days.
Digital Visual Art
How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?
I use this artwork to ask, “What has become of our childhood innocence?”
ink on paper, collage
Our hands – bridges, sinewy tendons & arteries – among the last parts dissected because of their distinctly human character.
Photography; De-identified photo taken for artistic purposes with permission from anatomy professors.
Representation of an Asian woman navigating a worldwide pandemic, situated in the centre of racial prejudice, capitalism, & social media connectivity.
Scanned magazine collage, colour pencils, and pen on Sketchbook
Light fluctuations through stained glass is always beautiful and ethereal at different times of day.
2025
Photograph of the Stanford Memorial Church
Hide my anger behind flowers // my anxiety behind moths // my sadness behind â–“â–“â–“
Photoshop
This work is about rupture and disruption, whether environmental, familial, or linguistic. I wanted to think visually about over-saturation.
India Ink on Paper
My piece comments on the movement of youth in Mexico towards narco culture and the dire implications it has for more traditional aspects the culture.