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Headdress girl
I met this young girl at a rural health clinic in Indonesia, where she had just given birth.
2014
Pencil and paper
By Elizabeth Hyde '20
Coronavirus, Capitalism, and Connectivity: Monochroming what was once in Colour
Representation of an Asian woman navigating a worldwide pandemic, situated in the centre of racial prejudice, capitalism, & social media connectivity.
2020
Scanned magazine collage, colour pencils, and pen on Sketchbook
By Crystal Chen '22
Heavy Metal Bouquet
These metallic flowers portray our future if we continue to condone industrial heavy metal pollution. Each flower is one of my original designs.
2024
Original origami flowers on red and silver foil paper; Arranged with silk leaves
By Weber Lin '27
Monstera
Aluminum CNC machined monstera leaf inspired bottle opener. I promise it looks better than it sounds.
2024
Sculpture
By Cooper Shea '24
The Façade
The collage reveals the anxiety behind social media despite the posing clear photo on the outside. It represents the façade we show to the world.
2022
Acrylic paints, alcohol markers, styrofoam, gel pen, transparent film on cardstock printed collage
By Rania Zuri '28
Swimming
A contrast between the cold, grayish tones of the subject and the warmer ones of the koi fish as the two tones mesh following the flow of the fish.
2021
Oil Paint on Canvas
By Christina Ba '26
Internal Reflections
This self-portrait draws on the iconography of the Virgin of Guadalupe that I, as a latina, have a deeply personal, non-religious, relationship with.
2018
Oil Paint on Canvas
By Lorena Diosdado '21
No RECAmpense
I made these photos at the abandoned Oppenheimer film set in Ghost Ranch, NM. Downwinders in NM harmed by test radiation remain uncompensated by RECA.
2023
35mm Photography
By Weston Keller '27
SJC Logo Redesign
SJC redesign – inspired by bold ‘Mod’ textiles, rooted in the London-based 1960’s ‘Mod’ fashion and music subculture centered around modern jazz.
2016
Graphic Design and Print
By Tyler Su '20
Vortex
An experiment with my visual synesthesia, which imparts color on 2D shapes. This piece intends to instill a sense of curious serenity.
2016
Digital Visual Art
By Andrew Lesh '19
Stanford through an artist’s eyes
Not Yet
An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I try to create a sense of foreboding and discomfort.
2016
Digital Visual Art
By Andrew Lesh '19
Illuminating the Mind
De-identified photograph taken for artistic purposes with permission from anatomy professors.
2015
Photograph
By Maia Mosse '20
Quarantine Paintings
These two paintings were inspired by the feelings of quarantine—isolation, restlessness, and nostalgia.
2020
gouache (two images combined digitally)
By Katie Han '23