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Ballerina Jenny Koenig, ’13, speaks the sentiment of many when she says belonging to a student-run dance company “has become a fellowship and a sanctuary where my problem sets, papers and midterms cannot invade.” All kinds of dancers—whether premed major/dance minors who have been training since they were 4 or engineers who have newly discovered swing—kick…
This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.
2020
Photography Series
By Victoria Chiek '22
This work is based off of a found photo archive of World War I era battle photographs. It is from a series that investigates the role of the soldier.
2016
Acrylic, charcoal, and india ink on paper
By Ali Vaughan '19
This is the moment when the smallest to the biggest invisibilities came to life, and unity in faith and science was apparent.
2016
Wax Pastel on Wood
By Lia "Bear" Kim '21
August on my family’s ranch in Jalisco, México.
2017
Environmental Photographs
By Kamilah Nicalli Arteaga '22
These are part of an ongoing series of portraits of people I met in passing. They can be displayed together or individually.
2018
Oil on canvas
By Cathy Yang '20
This is a study of Auguste Rodin’s “Bust of St. John the Baptist,” in an attempt to capture the densely textured look of the original.
2018
Charcoal, white chalk on toned paper
By Noah DeWald '20
A coloring pages for people to color and de-stress:) These pages are part of my project Coloring to Cope for the COVID-19 art grant.
2022
Digital
By Helena Zhang '22
In a pre-show photoshoot for my roommate’s student classical Indian dance ensemble, Noopur, she “breaks character” during a pose.
2016
Photograph
By Robin Willscheidt '19
