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EXPLOSIONS
This piece is a manipulated photograph printed on metal.
2019
Mixed Media on Metal
By Constantinos Gallis '24
one foot in the water
A projection of water drapes over a foot, the painting interweaves the physical and digital sensation.
2016
Oil on canvas
By Vivienne Le '19
Inside the church
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2017
Photo
By Lining Sun '18
Urban Constellations
San Francisco at dusk is illuminated by pinpoints of light on the distant hills.
2022
Oil paint on panel
By Christina Kent '22
middle passage
A depiction of the Southeast Alaskan landscape, seen from a kayak near the Inian Islands. 25.5″ x 36″
2017
Oil paint on paper
By Cairo Mo '20
Cityscapes and Scenes
I have a series of three paintings showing scenes from 3 places here in USA which caught my eye.
2022
Watercolor
By Dayeeta Pal '27
Submersion
Submersion is a painting that experiments with figure in distortion, and blends the organic elements of nature with human form.
2015
Acrylic Paint on Canvas
By Meagan Wu '18
Moonrise
This painting is an interpretation of Magritte’s surrealist painting “The Mysteries of the Horizon,” replacing the men with an aging ballerina.
2018
Acrylic paint on canvas
By Nicola Buskirk '22
Illuminating the Mind
De-identified photograph taken for artistic purposes with permission from anatomy professors.
2015
Photograph
By Maia Mosse '20
Salu-Salo (The Act of Eating Together)
This work showcases cultural connection and displacement. The food that should be on your table is now hung on a wall, commemorated but inaccessible.
2024
Monoprints on food wrapping paper, laser cut stencils
By Mhar Tenorio '24
Hand over hand
Our hands – bridges, sinewy tendons & arteries – among the last parts dissected because of their distinctly human character.
2015
Photography; De-identified photo taken for artistic purposes with permission from anatomy professors.
By Maia Mosse '20
Suspended (Acropolis, Athens)
History is tied to humanity. There is something heartening about a city that takes pride in its past.
2018
acrylic on canvas
By Vedika Kanchan '23
Main Quad Blues
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
2019
Digital Illustration
By Helen He '23
A Matter of Time
A wristwatch lies across a keyboard, the numbers juxtaposing the letters and a soft, glowing gleam reflecting across its surface.
2019
Acrylic Paint on Canvas
By Sarah Dong '26