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As a landscape photographer, I like to see things in different light. These would represent my personal interpretation of Stanford.
2017
Photo
A cat in a Japanese restaurant.
2019
3D computer graphics
A ghostly woman draped in a silk shawl and pearls.
2022
Charcoal
A study of a tree for Drawing I in charcoal, exploring silhouettes and shading.
2018
Charcoal on Paper
A series of photo edits of everyday moments at Stanford.
Digital Art
This piece captures the fleeting, but golden moment of connection between the deer and the viewer. A reminder that beautiful things are fleeting.
2015
Oil on canvas
As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.
I created a visual representation of the concept of ‘truth’ in a minimalistic style represented by the light and woman’s bare shoulders.
Acrylic paint on canvas
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
This is a picture of the hub of the city getting reflected in the river water.
2021
Acrylic Paint on Canvas
This is a photo taken in the Main Quad.
My piece comments on the movement of youth in Mexico towards narco culture and the dire implications it has for more traditional aspects the culture.
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
Oil Paint on Canvas
This is a painting I did for the Congressional Art Competition. The painting is of my mother’s horse JR on my last ride on him before he died.
Link to Website
2014
Acrylic on canvas 24″x 24″
This series is meant to bring inspiration, energy and presence to the broader community during a difficult time of shelter-in-place and quarantine.
2020
Acrylic gouache on Yupo Polypropylene Paper
This piece looks into the intersection of queerness and religion in the age of the internet and digital upbringing.
Interactive Digital Work
Taken in Alberta, Canada. My hope is not to showcase landscapes but to acknowledge that Earth’s beauty surrounds us.
Photograph
Kumari, the living Goddess of Nepal, is not allowed to speak to those who worship her, yet her glowing eyes depict that she has so much to tell us.
Graphite
Machines roar and metal parts clang away in the background in this artwork as an enormous robot is constructed before the eyes of a young spectator.
Adobe Photoshop Illustration
Serenity from within results from letting go.
Watercolor